Nostalgia City Mysteries

Mark S. Bacon

Category Archives: Mystery novels

Brodie’s client trio mired in gloom

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Case Histories
Kate Atkinson
Little, Brown & Company, 400 pages
mass market paperback, $7.99
Kindle edition, $6.99

This British novel lives up to its name as the first chapters present–at length–three separate stories of death and disappearance, all of which happened years ago.  It’s not until page 71 (Kindle version) that we meet Jackson Brodie, ex-cop turned PI specializing in finding people.  When we meet him he’s tailing Nicola, a flight attendant whose husband suspects her of infidelity.   Nicola’s story soon fades into the background and Brodie eventually takes on the three cases already introduced.

In the first case, a three-year-old disappears from a back yard campout and 34 years later is still missing.  The second case involves a seriously overweight attorney who wants Brodie to find the person who knifed his daughter to death in his law office 10 years earlier.  The third case presents a scene of a husband and wife spat that ends with an ax planted in hubby’s skull.

To solve the crimes, Atkinson doesn’t take us on a procedural trail, rather she explores participants’ souls and secrets while Brodie, appearing now and again, offers  solace to members of the emotionally wounded cast and leisurely looks for clues.  Brodie’s character links the cases together but it’s polar opposite sisters Julia and Amelia–looking for their lost sister Olivia–who seem to take center stage.   Amelia is sexually repressed, Julia not so much, a condition not lost on Brodie.  The sisters tell Brodie a tale of four sisters living with a cold, distant, frustrated mathematician father and ineffective mother.   “Olivia was the only one she loved, although God knows she tried her best with the others.”

Of Brodie we learn that he’s divorced and angry at his ex-wife who has taken up with a professor.   Brodie’s ex has custody of their daughter and is threatening to move to New Zealand and take Marlee with her.

“For the most part, the work he [Brodie] undertook now was either irksome or dull,”  Atkinson tells us early on.  Case HistoriesFortunately, his Case Histories are more than irksome and far from dull although peppered with digressions.   When the digressions have digressions it’s a challenge to follow the flow.   Some of the digressions or other sections of the book could be short stories themselves.  An early murder scene would make a dandy suspense short story.

The clients and their respective troubles are dreary and depressing with a capital D, weighing down Brodie and the reader.   “Time did not heal—it merely rubbed at the wound, slowly and relentlessly.”  This line, referring to the attorney’s grief over his daughter’s death,  could apply to almost any of the characters in the book–including Brodie.

In the latter half of the novel, Brodie is regularly assaulted for reasons that remain unclear until the end.   “All the bones in his skull seemed to have been rearranged like tectonic plates slipping and sliding against one another.”

Wounded in more ways than one, Brodie presses on.  Ultimately he solves the poignant cases of lost loves–a subject he’s familiar with, details of which are saved for late in the book.   The conclusion packs an emotional, touching punch, Brodie solves one of the cases with evidence that seems a little too convenient (but it was originally missed due to sloppy police work) and the end of the story could turn Brodie’s life around.

Video Notes  In 2011, a series of three Jackson Brodie mysteries were aired on PBS and are now available on DVD.  The series is called Case Histories though only the first episode is based on this novel.   Jason Issacs, known to some viewers from the Harry Potter films, plays Brodie as a sympathetic, vulnerable yet rugged PI, giving him as much character as you’ll find in the novel.   The video is, of necessity I suppose, faster moving than the book and ultimately satisfying.

Mystery – Suspense: New novel releases

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The Killing: Uncommon Denominator
Karen Dionne
Titian Books  320 pages
The AMC TV series, The Killing, was taken from Forbrydelsen, a Danish detective series. The original show (available on DVD in Danish) was good but just a little hard to follow. You had to read the subtitles while listening to the swift dialog and trying to watch expressions at the same time. The U.S. series starred Mireille Enos and Joel Kinnaman as Sarah Linden and Stephen Holder. The superb cast, including a host of supporting actors, made the dark, gripping series something millions of viewers looked forward to each week. This was modern roman noir at its best. Two subsequent seasons of the show were not quite as sharp and compelling as the first. Titian Books acquired the rights to The Killing and hired thriller writer Karen Dionne to write books based on the original U.S. series. The first one is out now with the familiar characters of Linden and Holder.

The Killing stars

Enos and Kinnaman as Linden and Holder

 

The Doc / Tim Desmond / Black Opal Books    306 pages

A doctor and Civil War reenactor is asked to investigate the murder of a friend’s daughter and uncovers a murder squad run by the Department of Homeland Security.

The Inheritor / Tom Wither / Turner Publishing   348 pages

In this debut suspense novel, Islamic terrorists attack the U.S. energy infrastructure. Publishers Weekly called it a “high-stakes action thriller.”

The Ways of the Dead / Neely Tucker / Viking    288 pages

A reporter and former war correspondent covers the murder of a teenage girl, daughter of a high-profile Washington, D.C. judge. Of the plot twists, Kirkus Reviews said, “The shocks resound with acrid, illuminating insights into the District’s nettlesome intersections of race and class at the hinge of the millennium.”

Lights Out / Donald Bain / Severn House   203 pages

A hapless electrical engineer turns to crime to finance an affair with a beautiful Argentinean woman and winds up being sought by the Mafia, the cops and a PI hired by his wife.

No Stone Unturned / James W. Ziskin / Seventh Street Books   272 pages

Ellie Stone is a 24-year-old reporter for a small daily in upstate New York. Nearly ready to give up her job and return to New York City, she gets involved in the search for a killer.

 

Victim plots creepy, bizarre revenge in Woolrich’s ‘Rendevous in Black’

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The word “black” appears in the title of five Cornell Woolrich novels–considered his best–written in the 1940s. Darkness describes his literary themes and his life.   He was married only briefly, had no children and lived in New York hotels with his mother until she died. He was preoccupied with death, disliked much of his own work–which included two dozen novels and hundreds of short stories–and died virtually alone. Yet his haunted, bleak life led him to create the discouragement, distrust and panic that colored his suspense-filled, austere novels.   Rendezvous in Black is such a story.

Johnny Marr always met his girlfriend Dorothy in the same place, outside the drugstore down by the town square. “He had special eyes for her, just as she had for him.” Their wedding was set for June. But on May 31, in a bizarre, unlikely accident, Dorothy was killed as she waited for Johnny by the square. Johnny’s life exploded. When the shock finally wore off–or did it ever?–it took him only a short time to figure out how she had been killed, and a little more time until he had a list of five men, one or all of whom were responsible.

What follows is the episodic tale of Marr’s crazed, devious retribution. He doesn’t kill the men on his list; his revenge is more appropriate, more cunning. And always on time. The men who populate Johnny’s list are only loosely connected and they live vastly different lives as we discover as the deranged lover tracks them down.

This is part of an occasional series on the work of noir thriller writer Cornell Woolrich (1903-1968).

Johnny’s indirect form of revenge makes it difficult for the police to anticipate his moves and collar him. As writer Richard Dooling says in the introduction to the 2004 Modern Library edition of the novel, “The reader finds no shelter in a comfortable central character or crime-solving Hollywood hero….” The less-than brilliant detective on the case, MacClain Cameron, says Dooling, is “a mere accessory to a story governed by the mighty forces of murder, retribution and fate.”

As the novel lurches forward, each specimen of revenge becomes almost a separate story, connected by the presence of Johnny Marr lurking somewhere off-camera and detective Cameron usually several, clumsy steps behind.Rendezvous in black 2   We know that each long chapter will end with something horrible.

Woolrich’s language is sometimes criticized–by a few of the small number of reviewers who even know of his existence–as more clunky than that of Chandler or Cain–but his fast pace and taut suspense keeps your eyes racing forward. His writing skills, however, often flower and he can deepen an already gloomy atmosphere.

All the way up those deliberately curving stairs, the shadow pursued him along the wall panels and he fled from it. But as the stairs curved, it relentlessly overtook him, then swept around before him, to confront him accusingly as he reached their top.

Johnny’s methods for revenge obviously take much planning, and they become more ingenious as the book progresses. This is not a question of whodunit, but of how is he going to do it this time, and will he be caught.   The conclusion is sufficiently suspenseful. Until the last page, you’ll be guessing whether Woolrich will conclude with a Hollywood ending. When you finish, you’ll have to decide if the ending was “Hollywood,” or a bit darker.

Rendezvous in Black
Cornell Woolrich
Modern Library Paperback Edition, 2004 Original printing, 1948
211 pages     $14