Nostalgia City Mysteries

Mark S. Bacon

Will a change of face brighten the dark passage?

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Book Review

Dark Passage (1946)
David Goodis
Library of America 2012
247 pages
Kindle, Apple Books  $5.99

Vincent Parry’s wife was an ungrateful, unloving bitch.  But he didn’t kill her.

A jury said he did, and the judge gave him life in San Quentin.

This seemed like it would be the last chapter in Parry’s unremarkable life. An only child and orphan in central Arizona he stole food when he was hungry and found himself in a reformatory being punched in the face by a guard. During World War II his draft board labeled him 4-F due to sinus and kidney problems. The 145-lb, five-foot-seven-inch Parry found work as a clerk in a San Francisco securities investment house, a position he took because it would permit him to smoke at work.  He earned $35 a week and smoked three packs a day.

Early in their marriage, at her insistence, Parry bought his wife Gert a ring with a flame opal, her favorite stone.  She told him it was flawed, that he paid too much and she threw it at his face.  Less than a year and a half after they were married, she started seeing other men.

One day he came home to find police cars parked in front of his apartment building.  Gert had been murdered, her skull smashed by a heavy glass ashtray.  A witness told police the wife’s dying words were that Parry had killed her.

Parry’s attorney asserted that Mrs. Gert Parry simply tripped and hit her head, but no one was buying it.

Dark Passage is a story of lonely, sad, miserable people. The book envelopes the reader in an atmosphere as cheery as a rainy night in a graveyard.

In San Quentin Parry worried about the guards, remembering his experience in the reformatory. But he thought this might be different.

He had an idea that he might be able to extract some ounce of happiness out of prison life. He had always wanted happiness, the simple and ordinary kind. He had never wanted trouble.

Eventually,  however,  he again met up with a brutal guard.  During the ensuing pummeling, Parry sobbed, a reaction that would revisit him more than once in the coming weeks.

When he was placed in solitary confinement temporarily, and permanently removed from his prison accounting job, he decided to escape.

He made it, and once outside the prison grounds a young woman in a new Pontiac convertible offered him a ride, telling him she heard of his escape on the radio and came to help him.  “You’ll stay at my place,” she tells him.

Vincent Parry’s life was about to turn around. And around.

Once safe in the expensively furnished San Francisco apartment Parry learns his blonde savior’s name, Irene Janney. 

The way her lips were set told him she didn’t get much out of life.  One thing, she had money. That grey-violet [her clothes] was money. The Pontiac was money.

She tells him she attended his trial and that Madge Rapf, the woman who found Gert’s body and heard her dying words, is an acquaintance of hers.

Parry knows Rapf, a friend of his wife’s who visited them frequently. Too frequently.

She was miserable and the only thing that eased her misery was to see other people miserable. If they weren’t miserable she pestered them until they became miserable.   Parry had a feeling that one of the happiest moments in Madge Rapf’s life was when the foreman stood up and said that he was guilty.

Parry’s fate begins to look promising when Janney buys him new clothes and gives him $1,000 in cash for the road.

He leaves her, hales a cab and is identified as a fugitive by the driver. But instead of turning him in, the driver tells Parry about a doctor friend of his, a plastic surgeon, who could give him a new face—no questions asked. Continue Reading →

Temptress Claire has lots to offer, but not to poor Quimby

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Movie review

Pharmacist Warren Quimby (Richard Basehart), night manager of a 24-hour Los Angeles drugstore, is a fool.

In an early scene in 1949’s Tension his wife Claire (Audrey Totter) is introduced by  sultry music as she’s eating dinner at the soda counter in Quimby’s drugstore.  Dressed in a slinky blouse, she takes an indifferent glance at her husband as he approaches tentatively, and she mumbles as she bites into a hamburger.

When he goes back to work on the other side of the store, Claire’s boyfriend shows up.  In an undisguised lie, she tells the counter clerk she’s going back to the Quimby’s apartment above the store.  Then she slips off her wedding ring and follows her suitor outside to his car.

Richard Basehart: resentful or scheming?

Quimby’s blindness to his wife’s blatant infidelities, coupled with his puppy-dog devotion—even after she deserts him for a boyfriend—is the film’s plot foundation.  You know this is more than a domestic drama however; because, in addition to its suggestive and suspenseful musical score and noirish nighttime settings, the movie is introduced and narrated by a homicide detective, Lieutenant Collier Bonnabel played by Barry Sullivan.

Basehart’s character is so innocent and trusting you want to root for him, but he’s so foolish you just want to smack him.  He’s stuck on his wife even after he tracks her down to a love nest in Malibu, vainly begs her to come home and gets beat up by her boyfriend, Barney Deager (Lloyd Gough).

When the film played in a 1998 San Francisco festival, SF Chronicle movie reviewer Walter Addiego wrote that Quimby was a “prize-winning sap.” 

Does he ever wise up?

Yes, but slowly.

While Claire continues her suggestive shenanigans at the beach, Quimby concocts a complex plan creating a new name and a layered second identity for himself. It’s unclear if he still wants Claire back, but his main goal is revenge and his phony identity will somehow be his cover.

In his new name he rents a Westwood, Calif. apartment—in addition to his flat over the pharmacy.  He meets an attractive Westwood neighbor, Mary Chanler (Cyd Charisse). Chanler is attracted to Quimby, who tells her he sells cosmetics and is on the road on weekdays, home on weekends. The two go out together, but Quimby tries not to return her affections.  He’s working on his revenge. Continue Reading →

A shy dragon, disabilities and f**king vulgarity

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June 26 is National Disability Independence Day

I have written several times in this space about swearing in murder mystery novels. In fact, if you do a Google search for profanity in mystery novels my blog posts are among the first references you’ll see.

What got me started on the subject, as I explained in one of my previous posts, was curiosity about my own use of profanity. After my first Nostalgia City mystery was published I got to wondering how many four-letter words I used and how that compared to other writers’ work.

I discovered, of course, that the use of profanity varies greatly in the genre, from no cussing whatsoever in many cozies to an abundance of f***ing vulgarity in the grittier forms of murder mysteries.

Unfortunately this necessitates further explanation before I can get to the reason I want to talk about bad words in the first place. Above I used asterisks rather than spelling out the obvious word. It’s my journalistic background that cemented the AP stylebook into my vocabulary. Many news outlets today—although there seem to be fewer and fewer—do not use four letter words and substitute asterisks. The older I get the less I care about maintaining this illusion of superiority. And certainly I use crude words—sparingly—in my novels. Lots of people swear these days and I believe I need to use “those words” to be realistic.

So this brings me to a funking problem. You read that correctly. Continue Reading →