Nostalgia City Mysteries

Mark S. Bacon

Tag Archives: Humphrey Bogart

Will a change of face brighten the dark passage?

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Book Review

Dark Passage (1946)
David Goodis
Library of America 2012
247 pages
Kindle, Apple Books  $5.99

Vincent Parry’s wife was an ungrateful, unloving bitch.  But he didn’t kill her.

A jury said he did, and the judge gave him life in San Quentin.

This seemed like it would be the last chapter in Parry’s unremarkable life. An only child and orphan in central Arizona he stole food when he was hungry and found himself in a reformatory being punched in the face by a guard. During World War II his draft board labeled him 4-F due to sinus and kidney problems. The 145-lb, five-foot-seven-inch Parry found work as a clerk in a San Francisco securities investment house, a position he took because it would permit him to smoke at work.  He earned $35 a week and smoked three packs a day.

Early in their marriage, at her insistence, Parry bought his wife Gert a ring with a flame opal, her favorite stone.  She told him it was flawed, that he paid too much and she threw it at his face.  Less than a year and a half after they were married, she started seeing other men.

One day he came home to find police cars parked in front of his apartment building.  Gert had been murdered, her skull smashed by a heavy glass ashtray.  A witness told police the wife’s dying words were that Parry had killed her.

Parry’s attorney asserted that Mrs. Gert Parry simply tripped and hit her head, but no one was buying it.

Dark Passage is a story of lonely, sad, miserable people. The book envelopes the reader in an atmosphere as cheery as a rainy night in a graveyard.

In San Quentin Parry worried about the guards, remembering his experience in the reformatory. But he thought this might be different.

He had an idea that he might be able to extract some ounce of happiness out of prison life. He had always wanted happiness, the simple and ordinary kind. He had never wanted trouble.

Eventually,  however,  he again met up with a brutal guard.  During the ensuing pummeling, Parry sobbed, a reaction that would revisit him more than once in the coming weeks.

When he was placed in solitary confinement temporarily, and permanently removed from his prison accounting job, he decided to escape.

He made it, and once outside the prison grounds a young woman in a new Pontiac convertible offered him a ride, telling him she heard of his escape on the radio and came to help him.  “You’ll stay at my place,” she tells him.

Vincent Parry’s life was about to turn around. And around.

Once safe in the expensively furnished San Francisco apartment Parry learns his blonde savior’s name, Irene Janney. 

The way her lips were set told him she didn’t get much out of life.  One thing, she had money. That grey-violet [her clothes] was money. The Pontiac was money.

She tells him she attended his trial and that Madge Rapf, the woman who found Gert’s body and heard her dying words, is an acquaintance of hers.

Parry knows Rapf, a friend of his wife’s who visited them frequently. Too frequently.

She was miserable and the only thing that eased her misery was to see other people miserable. If they weren’t miserable she pestered them until they became miserable.   Parry had a feeling that one of the happiest moments in Madge Rapf’s life was when the foreman stood up and said that he was guilty.

Parry’s fate begins to look promising when Janney buys him new clothes and gives him $1,000 in cash for the road.

He leaves her, hales a cab and is identified as a fugitive by the driver. But instead of turning him in, the driver tells Parry about a doctor friend of his, a plastic surgeon, who could give him a new face—no questions asked. Continue Reading →

What to watch while you’re safely isolated

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Part 3 – final installment

Classic noir and mysteries make a great alternative to repetitious bad news

Mystery fans holed up at home and searching for a distraction from the ugly news today could do what I’m doing: bake chocolate chip cookies as a mood booster (see part 1) then dive into a contemporary or classic mystery novel (see part 2). But if you’re eager to watch something on the flat screen besides recitation of the daily toll, you don’t have to watch Tiger King (Donald Jr. watched the entire season in two sittings) or sit through all 24 seasons of The Bachelor.

Robert Mitchum, as Philip Marlowe, tackles gangsters, murderers, and frisky heiresses in the 1978 version of the The Big Sleep available without extra charge to Amazon Prime members.  The movie is not Mitchum’s best, nor the best version of the Raymond Chandler novel, but it’s eminently more engaging and worthy of your time than the parade of reality shows and sitcoms the streaming services offer at the top of their program lists. 

But if you scroll down farther, or do careful Internet searches, you’ll find Mitchum, Humphrey Bogart, Mary Astor, Barbara Stanwyck, and a host of other noir film stars awaiting your streaming request.  I spent an enjoyable afternoon recently trying to make sense of The Big Sleep, having not seen this version in so long I’d even forgotten the nude scenes.

Mitchum and Candy Clark at target practice

Lamentably, director Michael Winner made a few changes in the Chandler classic.  First, it takes place in London, not Los Angeles, and Winner transplants a handful of American actors in addition to British standbys like John Mills and Edward Fox. Second, Marlowe is an ex-pat American who has lived in England since the war.  Third, the film takes place in the present day, not Chandler’s 1940s.

Like the Bogart version or the novel, Marlowe is summoned by wealthy General Sternwood to investigate blackmail involving one of his two fast and loose daughters played by Candy Clark and Sarah Miles.  The story makes several twists and turns as each daughter tries to seduce Marlowe in her own way, Clark in the nude, Miles slightly more reserved.  Multiple plot detours, a disappearance, many bodies and subtopics including pornography and blackmail make for a convoluted plot.

But that’s the way Chandler wrote it.  One of the characters who don’t make it to the end of the story is Sternwood’s chauffer. When Howard Hawks was directing the 1946 film version of the book, he too reportedly had trouble with all the loose ends, and he called Chandler asking who killed the chauffeur.  Chandler is supposed to have told him that he didn’t know.

Apparently director Winner did.  His film shows the chauffeur driving a fancy Sternwood car off the end of a pier.  Mills, as Scotland Yard Inspector Carson, decides it was suicide almost before the body is removed from the sunken auto.  A motive for the plunge might have been helpful.

Sarah Miles or Gilda Radner?

The film has other issues.  Richard Boone as one of the bad guys seems hopelessly out of place in the British countryside.  A fine villain, Boone is more convincing in the old west when he’s menacing Paul Newman (Hombre, 1967) or John Wayne (The Shootist, 1976).  Miles’ frizzy hair makes her look like Gilda Radner playing Roseanne Roseannadanna on Saturday Night Live, and Oliver Reed as gangster Eddie Mars just isn’t intimidating.

Roger Ebert reviewed the film at the time saying it felt embalmed because Marlowe didn’t belong in the 1970s, but what carries the film, as Ebert concluded, is Mitchum’s definitive screen presence.  The film succeeds, but not nearly as much as Mitchum’s first go at playing Marlowe in Farewell, My Lovely in 1975. 

I’ve seen that film several times recently and it’s filled with so many memorable lines, so many good supporting performances and enough noir atmosphere to fill your family room with an eerie fog.  Look for a young a Sylvester Stallone in the background when Marlowe takes on a pugnacious brothel madam in one of the film’s classic scenes.

So where do you find these master mystery movies? Certainly not on Netflix.  The service that used to offer nearly every classic film you could name, regardless of genre, now focuses on its own video productions and relatively recent B movies.  When you search for “classic film noir” on Netflix it offers Blade Runner and Dirty Harry.

Humphrey Bogart in the original The Big Sleep

Amazon Prime is different.  While they often charge a little for the best noir flicks, they are available now.  Here are a few of the classics on Amazon Prime and the cost of rental:

Double Indemnity, $3.99
Farewell, My Lovely, $3.99
Out of the Past, $2.99
The Maltese Falcon, $2.99
The Thin Man, $2.99
Key Largo, $3.99
The Third Man, $3.99
The Big Sleep (Bogart version), $2.99

It’s interesting to note that Amazon doesn’t charge extra for the Mitchum The Big Sleep, but Farewell, My Lovely is $3.99.  Is that based on quality or customer demand?

YouTube has for years been a reliable source for free noir and classic mysteries. Today hundreds of noir films—not all gems—are available free and many of the best now carry a small fee. The Postman Always Rings Twice, for example,  is just $1.99. See links below for listed films. 

I hope my suggested diversions will please your taste buds, challenge your deductive powers, entertain and help you muddle through.

Links:

You Tube: hundreds of noir films, many B movies. Top classics can be rented for a few dollars.
https://www.youtube.com/playlist?list=PLajqNV0-qkKdGiFNzmK5BA16MujBJ0bvv

List of 100 noir movies available for free on YouTube (check availability)
https://www.youtube.com/playlist?list=PLbm4HpSnC9E1sovy9Ikx2H_gVRcrpdSFe

 

The Maltese Falcon reexamined

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“And when you’re slapped, you’ll take it and like it.” Sam Spade to Joel Cairo.

With apologies to Robert B. Parker, Agatha Christie, Raymond Chandler and a few others, Dashiell Hammett’s The Maltese Falcon is the quintessential murder story. Although Sam Spade appeared in only one novel, the cynical, hardboiled detective who bends the rules but still lives by a code, set the standard for all the gumshoes who would follow in the 85 years hence. “I don’t mind a reasonable amount of trouble,” he tells the comely and mysterious Brigid O’Shaughnessy.Bogie-&-Elisha-Cook

Although Spade is such a well-defined and described character, it is difficult for me to separate him from Humphrey Bogart, the actor who portrayed Spade in the 1941 noir film of the same name. Bogart’s height and general appearance don’t match Hammett’s description, but by every other measure, Bogart is Sam Spade.

Recently I reread the novel and, for perhaps the 10th time, watched the film. The similarities and the few differences are worth examining. In fact, there are at least two mysteries within the mystery. And at this point, if you haven’t seen the movie or read the book, do so. Then come back and read the rest of this article. Continue Reading →