Nostalgia City Mysteries

By Mark S. Bacon

Category Archives: Movie reviews

What to watch while you’re safely isolated

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Part 3 – final installment

Classic noir and mysteries make a great alternative to repetitious bad news

Mystery fans holed up at home and searching for a distraction from the ugly news today could do what I’m doing: bake chocolate chip cookies as a mood booster (see part 1) then dive into a contemporary or classic mystery novel (see part 2). But if you’re eager to watch something on the flat screen besides recitation of the daily toll, you don’t have to watch Tiger King (Donald Jr. watched the entire season in two sittings) or sit through all 24 seasons of The Bachelor.

Robert Mitchum, as Philip Marlowe, tackles gangsters, murderers, and frisky heiresses in the 1978 version of the The Big Sleep available without extra charge to Amazon Prime members.  The movie is not Mitchum’s best, nor the best version of the Raymond Chandler novel, but it’s eminently more engaging and worthy of your time than the parade of reality shows and sitcoms the streaming services offer at the top of their program lists. 

But if you scroll down farther, or do careful Internet searches, you’ll find Mitchum, Humphrey Bogart, Mary Astor, Barbara Stanwyck, and a host of other noir film stars awaiting your streaming request.  I spent an enjoyable afternoon recently trying to make sense of The Big Sleep, having not seen this version in so long I’d even forgotten the nude scenes.

Mitchum and Candy Clark at target practice

Lamentably, director Michael Winner made a few changes in the Chandler classic.  First, it takes place in London, not Los Angeles, and Winner transplants a handful of American actors in addition to British standbys like John Mills and Edward Fox. Second, Marlowe is an ex-pat American who has lived in England since the war.  Third, the film takes place in the present day, not Chandler’s 1940s.

Like the Bogart version or the novel, Marlowe is summoned by wealthy General Sternwood to investigate blackmail involving one of his two fast and loose daughters played by Candy Clark and Sarah Miles.  The story makes several twists and turns as each daughter tries to seduce Marlowe in her own way, Clark in the nude, Miles slightly more reserved.  Multiple plot detours, a disappearance, many bodies and subtopics including pornography and blackmail make for a convoluted plot.

But that’s the way Chandler wrote it.  One of the characters who don’t make it to the end of the story is Sternwood’s chauffer. When Howard Hawks was directing the 1946 film version of the book, he too reportedly had trouble with all the loose ends, and he called Chandler asking who killed the chauffeur.  Chandler is supposed to have told him that he didn’t know.

Apparently director Winner did.  His film shows the chauffeur driving a fancy Sternwood car off the end of a pier.  Mills, as Scotland Yard Inspector Carson, decides it was suicide almost before the body is removed from the sunken auto.  A motive for the plunge might have been helpful.

Sarah Miles or Gilda Radner?

The film has other issues.  Richard Boone as one of the bad guys seems hopelessly out of place in the British countryside.  A fine villain, Boone is more convincing in the old west when he’s menacing Paul Newman (Hombre, 1967) or John Wayne (The Shootist, 1976).  Miles’ frizzy hair makes her look like Gilda Radner playing Roseanne Roseannadanna on Saturday Night Live, and Oliver Reed as gangster Eddie Mars just isn’t intimidating.

Roger Ebert reviewed the film at the time saying it felt embalmed because Marlowe didn’t belong in the 1970s, but what carries the film, as Ebert concluded, is Mitchum’s definitive screen presence.  The film succeeds, but not nearly as much as Mitchum’s first go at playing Marlowe in Farewell, My Lovely in 1975. 

I’ve seen that film several times recently and it’s filled with so many memorable lines, so many good supporting performances and enough noir atmosphere to fill your family room with an eerie fog.  Look for a young a Sylvester Stallone in the background when Marlowe takes on a pugnacious brothel madam in one of the film’s classic scenes.

So where do you find these master mystery movies? Certainly not on Netflix.  The service that used to offer nearly every classic film you could name, regardless of genre, now focuses on its own video productions and relatively recent B movies.  When you search for “classic film noir” on Netflix it offers Blade Runner and Dirty Harry.

Humphrey Bogart in the original The Big Sleep

Amazon Prime is different.  While they often charge a little for the best noir flicks, they are available now.  Here are a few of the classics on Amazon Prime and the cost of rental:

Double Indemnity, $3.99
Farewell, My Lovely, $3.99
Out of the Past, $2.99
The Maltese Falcon, $2.99
The Thin Man, $2.99
Key Largo, $3.99
The Third Man, $3.99
The Big Sleep (Bogart version), $2.99

It’s interesting to note that Amazon doesn’t charge extra for the Mitchum The Big Sleep, but Farewell, My Lovely is $3.99.  Is that based on quality or customer demand?

YouTube has for years been a reliable source for free noir and classic mysteries. Today hundreds of noir films—not all gems—are available free and many of the best now carry a small fee. The Postman Always Rings Twice, for example,  is just $1.99. See links below for listed films. 

I hope my suggested diversions will please your taste buds, challenge your deductive powers, entertain and help you muddle through.

Links:

You Tube: hundreds of noir films, many B movies. Top classics can be rented for a few dollars.
https://www.youtube.com/playlist?list=PLajqNV0-qkKdGiFNzmK5BA16MujBJ0bvv

List of 100 noir movies available for free on YouTube (check availability)
https://www.youtube.com/playlist?list=PLbm4HpSnC9E1sovy9Ikx2H_gVRcrpdSFe

 

Publishing news, free books, reviews and surprises to come on this blog

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Welcome mystery fans.  It seems I took an extended hiatus from writing in this space.  I can explain.

Launching a new book takes time.  So does switching publishers. I was in the middle of the former but am now neck-deep in the latter, or maybe both.

All three Nostalgia City mysteries are available again on Amazon, both e-book and print.  They will soon be available elsewhere, although for the time being the e-book versions of two of the mysteries, numbers 1 and 3, are exclusively with Amazon’s Kindle Unlimited.

Each of the three Nostalgia City mysteries has a new international standard book number (ISBN) used to identify and locate books and identify the publisher.  As a result, some website links, if they’re older than two months, may not connect you to the books.  The easiest way to find them is to go to Amazon and type in the title.  Details and links are also always available on this website.

Articles (posts) in upcoming weeks will be book and movie reviews, observations about readers’ particular interest in authors, offbeat and background information on (my new book) The Marijuana Murders, hints about mystery #4 that I’m working on and a few surprises.

As you may have noticed, Death in Nostalgia City was recently–for two days– on sale for free.  Does that qualify as “on sale?”   I dunno, as one of my characters would say, but thousands of people snapped it up.  If you missed the sale, Death in Nostalgia City will be offered for free again on Amazon.  Stay tuned.

Free book:

Right now you can register to win a print copy of The Marijuana Murders. Kings River Life magazine is giving the book away. To be eligible, simply comment on the reviewer’s article about my book or simply send him an email.  Details here:  https://www.krlnews.com/2019/08/the-marijuana-murders-by-mark-s-bacon.html

Writing a novel is easy.  As you can see, I nailed it on the first draft.

I’ve been meaning to share this picture.  Many authors’ protracted blog explanations about the task of writing to the contrary, I don’t think many readers are interested in how we create a story.  Does it make a story more meaningful if you know, for example, it was written on a Mac, on a yellow pad or an old fashioned typewriter? 

So, I’ll make this brief.  Although I compose and edit on my computer, every so often I need to print out my latest chapters and go over them with a pencil. When a complete manuscript is finished, I redo things.  Several times.  Critique groups, beta readers and an editor all contribute to draft after draft.  Then it’s done.

Actually deciding it’s done is one of the most difficult tasks in writing a novel.  Thus my stack of drafts gets taller.  I usually save the drafts until the book is in print—sort of like a cloud backup, only this paper backup is recycled when the job is done.

Your vote: what are the best noir films?

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Anyone who thinks of Fred MacMurray mainly as the jovial father on the 1960s TV series My Three Sons or the screwball title character in The Absent Minded Professor film, doesn’t know the real Fred MacMurray.

The real Fred MacMurray was the scheming insurance salesman and murderer in the 1944 film, Double Indemnity. In so many scenes, from his first meeting with Barbara Stanwyck, the wife of the man he would ultimately kill for his life insurance money, to a secret rendezvous in a grocery store, MacMurray has an undisguised devious look in his eyes yet a guarded set to his lips.Crow-gun-Web-opt-w-title619 (It’s a different, yet equally dishonest countenance he bore as Lt. Tom Keefer in The Caine Mutinty.)

Combine MacMurray’s persuasive performance with his two assured costars, Stanwyck and Edward G. Robinson plus a script by Billy Wilder and Raymond Chandler, based on the James M. Cain novel, and you have what many people think is the finest noir film ever made.

What do you think?

What are the best noir films?

Mystery fiction scholar Francis M. Nevins defines noir as, “…the kind of bleak, disillusioned study in the poetry of terror that flourished in American mystery fiction during the 1930s and 1940s and in American crime movies during the forties and fifties. The hallmarks of the noir style are fear, guilt and loneliness, breakdown and despair…” Although many noir films were stylish, often featuring avant garde cinematography, as Nevins points out, happy endings were rare.

If you do a Google search for “favorite noir movies” you immediately see a spread of movie posters in this order:

  1. Double Indemnity
  2. The Maltese Falcon
  3. The Third Man
  4. Out of the Past

It would be difficult to argue with that selection. The Internet Movie Database says Sunset Boulevard and Night of the Hunter edge out Out of the Past and Double Indemnity, though the latter film is ranked number five.

Films based on novels by the leading detective writers of the period rank high in many ratings. In addition to Double Indemnity, Cain’s The Postman Always Rings Twice is another highly rated noir flick. The Maltese Falcon novel was written by noir master Dashiell Hammett and Chandler novels also became classic noir films such as The Big Sleep and Farewell, My Lovely.

The writer who I would count as the fourth of the great noir authors, Cornell Woolrich, had more than two dozen of his novels and stories made into movies, many, unfortunately were forgettable adaptations. His most famous, Rear Window, was a superb suspense movie with many noir elements, not the least of which was the villainous Raymond Burr.

Other films I think you should consider for your top ten include: Brighton Rock, Lost Weekend, Touch of Evil and Kiss Me Deadly. Sydney, Australia, blogger, Tom D’Ambra, has one of the most comprehensive noir film websites you can find. Among his many suggestions: Journey Into Fear, I Wake Up Srcreaming and The Seventh Victim.

Many noir fans have favorite lines from films. One of mine comes from Sidney Greenstreet in The Maltese Falcon. He stares at Humphrey Bogart as he says, “By gad, sir, you are a character.”

So, think of some noir characters yourself, and let me know your favorite films of the noir era.

Hyperlinks:

IMDB/noir

Tom D’ambra on noir films

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