Nostalgia City Mysteries

By Mark S. Bacon

Category Archives: ebooks

A new mystery book—sort of     

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Cops, Crooks & Other Stories in 100 Words was published more than seven years ago—about the time I started this website—and I decided to take another look at the book.  The result of this look is a new edition.  I edited and revised some stories, deleted others and added about a dozen new stories with twist or mystery endings.

Can a 100-word story have a surprise ending? Yes, it’s part of the challenge. As I wrote in the introduction to the previous edition of the book, the challenge to tell a complete story in exactly 100 words is the lure of this genre.

Here is the Amazon link for the ebook:   https://amzn.to/2mIfC0s   It will soon be available at barnesandnoble.com and the other places.

Extremely short, tiny, miniscule bits of fiction have been around for a long time.  Aesop’s fables are a good example. Written in the sixth century BCE, Androcles (and the Lion) contains only 265 words, and The Ant and the Grasshopper uses only 150 words. Ernest Hemingway reputedly wrote a six-word story: “For sale: baby shoes, never worn.”

Welcome to flash fiction.  Books and a broad variety of online literary magazines and some print magazines feature these short-shorts. Actually short-shorts is not an appropriate description  as it often refers to short stories of a few pages or more, not a few paragraphs or a few sentences. Flash fiction seems to be the most commonly used name for these snippets of creative writing, although some online magazines refer to micro fiction, nano fiction, sudden fiction, or quick fiction.

As to the best length for flash fiction, there’s little agreement. Even though the 100-word limit is common, a variety of print and online magazines and published anthologies restrict flash fiction stories to 1,000, 2,500, and even 5,000 words. Compared to a 100-word tale, the longer stories could hardly be read in a flash. Wikipedia does little to establish a common length saying, “flash fiction is a fictional work of extreme brevity.”

Journals such as 100 Word Story and 101 Words need no explanation. Some other online publications are looking for what Wikipedia calls twitterature, that is, stories of 280 characters or less. Everyday Fiction sets the limit at 1,000 words but encourages writers who can tell a story in 50.  

Before publishing the first edition of this book I published stories in a variety of online flash fiction literary magazines, including my favorite, 100 Word Story.  Editor Grant Faulkner says the 100-word limit is an arbitrary marker that “forces the writer to question every word.”

It’s a good discipline. A number of years ago a friend of mine told me his writing group was working on an exercise in which they had to tell a story in just 100 words.  I had never heard of flash fiction before and was intrigued.  At first I wrote cop stories, then branched out into the variety of genres represented in the book.  More than half the stories in the new book have to do with detective work, crime, or general law enforcement.  The balance include humor, speculative fiction and a little romance.

Yes, each story contains exactly 100 words.  And you have to know the rules.  Hyphenated words count as one word and titles are not included in the word count. Numerals, even those separated by commas count as one word. The counting function on MS Word seems to have its own rules, so I count by hand as well.

I agree with Faulkner.  This genre makes you question each word.  But now that I’m spending most of my time on novel-length mysteries, I still try to remember the value of each word.

Here’s a sample story from Cops, Crooks & Other Stories in 100 Words:

 On the House

Starting her workday baking before sunrise always made Sophie’s concentration sag by 9 a.m., but looking across the counter at a gun barrel got her immediate attention.

“Gimme the money,” the gunman said.

Sophie glanced over the man’s shoulder, moved toward the cash register—then ducked.

The cop standing behind the robber threw him against the counter, as another officer grabbed the gun.

“You gotta be the dumbest crook I ever met,” said the first cop. “Okay, maybe you didn’t see our car in the lot, but really…”

“Thanks, Kelly,” Sophie said. “From now on, doughnuts are on the house.”

—————–

“…it is rather remarkable that the author is able to introduce a cast of characters, set a stage for them to act upon, and play out a scenario—sometimes involving cops and crooks—in which something unexpected happens, all in exactly 100 words.”
MysteriousReviews.com

Today,  Friday Aug. 9, special offer

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Death in Nostalgia City

Kindle e-book

Free

No need to join Kindle Unlimited
Take a step back in time.  Visit the Nostalgia City theme park.  Most visitors come home alive.

Today, you can download the the first book in the Nostalgia City series for free for your Amazon Kindle.   Click now.  You  don’t need to join Kindle Unlimited.  The book is free, today, unconditionally.  Here’s a sample of what people have said about it.

“The book pulled me in from the very beginning and never let me go….
There is so much to love about this book.  The characters are well developed, well rounded and three dimensional.  Both Lyle and Kate have very many human traits that we all have.  Both Lyle and Kate come into each other’s lives and into the investigation with baggage.  Kate has problems with commitments.  Lyle left the police force under questionable circumstances and really struggles with his anxiety disorder.  They’re realistic and easy to start caring and worrying about.”

–Open Book Society

“Bacon is an excellent storyteller. He has imagination, and is able to put his ideas together in a way that readers won’t be able to put this book down. The characters are well-developed, and seem like real people. The nostalgic theme park is unique and fascinating; it seems Bacon has done his research on the 70s, and everything mentioned – from the old cars, old music and radio programs is absolutely true to the period.”

Karen Hancock
Suspense/Thriller Books Editor, Bella Online

 

“Lyle and Kate are a charming twosome, first deter­mining the cul­prits, then cal­cu­lating ways to trap the evil doers. As you can tell by my lan­guage, Death in Nos­talgia City is just plain fun….  Bacon plots well, char­ac­terizes well, and writes well. In addition, “Nos­talgia City” turns Dis­neyland into Magic Mountain into Dol­lywood into Wall Street into the mean streets of New York City, a winning collage of baby boomer fan­tasies and rem­i­nis­cences.”

–Ann Ronald, Bookin’ with Sunny Reviews

 

New in mystery and suspense; holiday gift suggestions

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Books are thoughtful holiday gifts.  Click on the book covers for buying options.   Prices on books in all formats are subject to change at the discretion of the store or website where they are purchased.

Martini Shot (An Eddie Collins Mystery Book 4)
Clive Rosengren
Coffeetown Press  November 2018
204 pages
Kindle $2.99   Trade paperback $13.99

Eddie Collins, private eye and part-time Hollywood actor, is hired by ageing actor, Sam Roth, to locate his disowned son, Jack Callahan. Roth hopes to reconcile their relationship before his “Martini Shot” last scene of the day, as he is in his 90s.

While working the Roth case, Eddie receives a letter from his daughter’s adoptive parents, that she would like to meet him and find out more about her mom. In spite of his uncertainty, Eddie agrees to meet her. What will this relationship lead to in the future and what will all parties make of it? Only time will tell.

Eddie locates Callahan, leading to a father and son meeting. However, he later gets a call from Roth, informing him that his son has been found, bludgeoned to death. Sam asks Eddie to find out what has happened to Jack. Eddie investigates Jack’s life, hoping to find clues to the murder. Little does he know that upon discovering the murderer, his own life will hang in the balance.

This is the fourth in the Eddie Collins series.  It is preceded by Murder Unscripted, Red Desert and Velvet on a Tuesday Afternoon.

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Clive Rosengren is a recovering actor. His career spanned more than forty years, eighteen of them pounding many of the same streets as his fictional sleuth Eddie Collins. He appeared on stages at the Great Lakes Shakespeare Festival, the Guthrie Theater, and the Oregon Shakespeare Festival, among others. Movie credits include Ed Wood, Soapdish, Cobb, and Bugsy. Among numerous television credits are Seinfeld, Home Improvement, and Cheers, where he played the only person to throw Sam Malone out of his own bar. He lives in southern Oregon’s Rogue Valley, safe and secure from the hurly-burly of Hollywood.  The first two books in the series were finalists for the Shamus Awards, sponsored by the Private Eye Writers of America.

 

The Reversible Mask, an Elizabethan Spy Novel
Loretta Goldberg
Made Global Publishing   December 2018

449 pages
Kindle $4.99   Trade paperback $19.84

Summer 1566. A glittering royal progress approaches Oxford. A golden age of prosperity, scientific advances, exploration and artistic magnificence. Elizabeth I’s Protestant government has much to celebrate.

But one young Catholic courtier isn’t cheering.

Conflicting passions—patriotism and religion—wage war in his heart. On this day, religion wins. Sir Edward Latham throws away his title, kin, and country to serve Catholic monarchs abroad.

But his wandering doesn’t quiet his soul, and when Europe’s religious wars threaten his beloved England and his family, patriotism prevails. Latham switches sides and becomes a double agent for Queen Elizabeth. Life turns complicated and dangerous as he balances protecting country and queen, while entreating both sides for peace.

Intrigue, lust, and war combine in this debut historical novel.

* * *

An Australian-American, Loretta Goldberg earned a BA in English literature, musicology and history at the University of Melbourne. After teaching English for a year, she came to the US on a Fulbright scholarship to study piano. She earned an MA in music performance at Hunter College, New York.  She built a financial services practice, which she sold recently to focus on writing. She’s written articles on financial planning, arts reviews and political satire.

 

The Blue
Nancy Bilyeau
Endeavour Quill
430 pages
Kindle $3.99    Trade paperback  $15.58

In eighteenth century London, porcelain is the most seductive of commodities. Fortunes are made and lost upon it. Kings do battle with knights and knaves for possession of the finest pieces and the secrets of their manufacture.

For Genevieve Planché, an English-born descendant of Huguenot refugees, porcelain holds far less allure; she wants to be an artist, a painter of international repute, but nobody takes the idea of a female artist seriously in London. If only she could reach Venice.

When Genevieve meets the charming Sir Gabriel Courtenay, he offers her an opportunity she can’t refuse; if she learns the secrets of porcelain manufacture, he will send her to Venice. But in particular, she must learn the secrets of the colour blue.

The ensuing events take Genevieve deep into England’s emerging industrial heartlands, where not only does she learn about porcelain, but also about the art of industrial espionage.

She also learns much about love.

With the heart and spirit of her Huguenot ancestors, Genevieve faces her challenges head on, but how much is she willing to suffer in pursuit and protection of the colour blue?

* * *

Nancy Bilyeau has worked on the staffs of InStyleDuJourRolling StoneEntertainment Weekly, and Good Housekeeping. She is currently the deputy editor of the Center on Media, Crime and Justice at City University of New York and a regular contributor to Town & CountryPurist, and The Vintage News.

She earned a BA at the University of Michigan. The Crown, her  first novel and an Oprah pick, was published in 2012; the sequel, The Chalice, followed in 2013 and the third in the trilogy, The Tapestry, was published in 2015. This is her fourth novel.

 

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