Nostalgia City Mysteries

By Mark S. Bacon

Category Archives: craft of writing

New books: So many ways to get killed

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Murder Unscripted
Clive Rosengren
Coffeetown Press  2017
240 pages
Kindle $5.95  Trade paper $14.95

The first of Rosengren’s Eddie Collins series begins with actor Josh Bauer on a bearskin rug in front of a roaring fire with buxom, but temperamental, Ruby Landreaux in his arms. What comes next is up to Eddie Collins, a part-time actor and ex-husband of Landreaux—who is really actress Elaine Weddington—when Weddington turns up dead, her bearskin escapade simply a scene in an unfinished movie, Flames of Desire.

The production’s insurance company hires Eddie to represent their interests in the Americana Pictures film. Private eye is Eddie’s main gig now, although he doesn’t turn his back on acting jobs when they come his way.

Weddington was a star of sorts, though her pictures were B-movies and never up for major awards. Encroaching middle age meant her leading-lady days were numbered, and she worked with a lot of jealous wannabes. Did one of them off her? What about her personal assistant or live-in boyfriend? While searching through Weddington’s  trailer, Eddie finds a list of initials with corresponding phone numbers. As he gradually ticks off the entries, he begins to form an unwelcome, less idealized version of Weddington. Then an assistant director is killed as she is about to share a damning revelation. The quest to identify one set of initials almost puts him in the hospital. Can Eddie handle the truth? Will it set him free, or kill him?

Clive Rosengren is a recovering actor. His career spanned more than forty years, eighteen of them pounding many of the same streets as his fictional sleuth Eddie Collins. Movie credits include Ed Wood, Soapdish, Cobb, and Bugsy. Among numerous television credits are Seinfeld, Home Improvement, and Cheers, where he played the only person to throw Sam Malone out of his own bar. He lives in southern Oregon’s Rogue Valley, safe and secure from the hurly-burly of Hollywood.

 

Wicked River
Jenny Milchman
464 pages
Sourcebooks Landmark  May 1, 2018 (available for pre-order on Amazon)
Hardcover: $26.99  Trade paper $15.99  Kindle 15.99

Six million acres of Adirondack forest separate Natalie and Doug Larson from civilization. For the newlyweds, an isolated backcountry honeymoon seems ideal—a chance to start their lives together with an adventure. But just as Natalie and Doug begin to explore the dark interiors of their own hearts, as well as the depths of their love for each other, it becomes clear that they are not alone in the woods.

Because six million acres makes it easy for the wicked to hide. And even easier for someone to go missing for good.

As they struggle with the worst the wilderness has to offer, a man watches them, wielding the forest like a weapon. He wants something from them more terrifying than death. And once they are near his domain, he will do everything in his power to make sure they never walk out again.

Jenny Milchman is a suspense writer from the Hudson River Valley of New York State. Her debut novel, Cover of Snow, was published by Ballantine/Random House in January 2013 and won the 2013 Mary Higgins Clark Award for best suspense novel of the year.  Milchman is a board member and Vice President of International Thriller Writers and the founder of Take Your Child to a Bookstore Day, celebrated in all 50 states and four foreign countries 2013. She also teaches writing and publishing for New York Writers Workshop and Arts By The People.

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Potentially intrusive—and/or boring—questions from Anastasia Pollack in her blog Killer Crafts and Crafty Killers (Abridged)

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One of the mandatories when you publish a book is getting mentioned on book-related websites. 

You can hire Internet publicists who schedule you on “blog tours.”  A tour is simply a collection of “posts” on different websites.  The options for these posts usually include an interview, a summary of your book, an excerpt of your book or, in some cases, a column or article you write about your genre, your book or both.  My preference is the latter, but in many cases you don’t have a choice and must succumb to an interview.

When this new book came out recently I was eager to gain exposure for it. One of the ways you do that is take a ‘blog tour.”

Usually these blog tour interviews consist of a series of stock questions you are to answer.  You receive a list of questions and you type up your answers.  There are no follow-up questions based on your answers because the whole process is prepackaged. And depending on the website and how you got booked there, the questions even may not be focused on your book type.  The questions often sound as if they are directed at someone who has just published his or her first book. 

Such interviews can be a challenge for the writer.  You want to sound spontaneous and conversational even though you’re really not interacting with an interviewer.  You’re just answering a list of stock questions. Like taking an exam in school. 

With this in mind, here is an abridged sample “interview” from a website published by Anastasia Pollack. 

Anastasia: When did you realize you wanted to write novels?
Mark S. Bacon: Relatively recently. I’ve been a writer all my life: newspaper reporter, copywriter, business writer. I wrote several business books some years ago but had always been a mystery fan.  So about six years ago I started writing and publishing mystery flash fiction stories then moved on to mystery novels.

Anastasia: How long did it take you to realize your dream of publication?
Mark S. Bacon: You’re probably talking about “my new, first book.”  That was years ago, but let’s go farther back. I sold my first magazine article, to a national men’s adventure magazine, when I was 16.  Some years later I sold my first book, on business writing, by writing query letters to three big New York publishers. Selling a novel is a different animal. That took years.

Anastasia: Where do you write?
MSB: In my home office with my golden retriever at my feet and a concrete crow statue looking over my shoulder. (It could be a raven.)

Anastasia: Is silence golden, or do you need music to write by? What kind?
MSB: Although I learned to write in a noisy newsroom, I’ve become spoiled at my home office. Quiet is best. However, I sometimes listen to mood music, depending on what I’m writing. For one chapter of the book I just finished, I listened to Ravi Shankar. Does that give you a clue to the story?

Anastasia: Describe your process for naming one of your lead characters.
MSB: How many people do you know named Lyle? It’s a retro name to go with my retro setting. Also, his initials are LSD. I was going to use that in the plot of my first Nostalgia City mystery but never worked it in.

Anastasia: If you could have written any book (one that someone else has already written,) which one would it be? Why?
MSB: You could pick any Lew Archer novel by Ross Macdonald. He was the master of language and characters, not to mention atmosphere.  Raymond Chandler was a pretty good PI writer, too.

Anastasia: What’s your biggest pet peeve?
MSB: We’re talking books, not politics here, right?  I’d say people who ask for free copies of my books.  People think authors get unlimited free copies of their books.  Not true.  We have to buy them from the publisher.  Yes, some publishers give authors free copies when the title comes out.  Back when I was writing for John Wiley & Sons, I received 20 hardback copies of each new book.  My new (mystery) publisher sends me one trade paperback.  Sign of the times?

Anastasia: What was the worst job you’ve ever held?
MSB: One of my first jobs out of college was at a small, neighborhood newspaper in Los Angeles.   My primary duty was to rewrite stories out of the LA Times. I quit after a week. 

Anastasia: You’re stranded on a deserted South Seas island. What are your three must-haves?
MSB: An Adirondack chair, plenty of books, and a lifetime supply of Krispy Kremes.

Courting Inspiration

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By Wendy Tyson

It was cold the morning I wrote this. Three degrees according to the deck thermometer. Of course, in Vermont there is a saying (to be fair I think it’s a saying everywhere winters are cruel) that there’s no such thing as bad weather, only bad clothes. Nevertheless, I eyed our snowshoes with suspicion. I’d rather be writing by the fire than traipsing out in the woods, but traipsing we would go. Hopefully by then it would be closer to ten.

We’d promised my fourteen-year-olds and one very large Labrador we’d go hiking. The forest can be a magical place, and watching the twins get lost with their canine companion in the white-coated outdoors reminds me that they’re caught between childhood and manhood. For them, Inspiration exists in the icy inclines, snow-covered clearings, and giant, uprooted trees. For a while they can forget the pressures of high school and pretend—or just be.

While I cherish the family time, I also needed to get out of my head. After several tight deadlines and three rounds of work travel, I was feeling fried. It’s one thing to be productive on a tight schedule, but it’s another thing to court Inspiration. With a blank page in front of me—Greenhouse Mystery #5—I needed the thrill of Inspiration, not the pride of accomplishment.

I’m often asked where I find my Inspiration. The truth is, I don’t always know. I can’t tell you the exact moment when the universe comes together and an idea begins to take shape. I can only tell you that Inspiration isn’t something I wait for—I have to court it. And I have to be able to recognize it when it appears. Like my boys in the woods, it helps if I nurture my imagination, allowing myself to dig deep into its recesses, into that untamed part of my consciousness that will spot a great concept and develop it into something bigger. I have to be willing to go out into the wild.

But how?

The process is different for everyone, but here are a few techniques I’ve found helpful for finding and capturing Inspiration.

  • Connect with the page. I mean that quite literally. There is something visceral and real about writing the old-fashioned way, using pen and paper. When I want to connect with what author Natalie Goldberg calls “wild mind,” I pull out a notebook and a favorite pen and free write. There are no rules in free writing. I don’t think about grammar, spelling or themes. I don’t care if what I write makes sense. The idea is to dig deeper, find something that will resonate and possibly lead to a story. This almost always works for me—and I use it when I am stuck on a novel as well.
  • Silence the critic, court the muse. I don’t know about yours, but my inner critic is quietly insidious, almost diabolical. She whispers mean little sound bites into my ear, pouring vinegar into every sensitive open writing wound I have. When I want to find Inspiration, I have to shut her up, allowing her more timid sister to visit instead. Free writing helps with that, and writing early in the morning, before my inner critic is fully awake, helps too. I find that Vivaldi lulls the critic into silence, and a change of scenery can mask her voice (a bustling coffee shop or a busy ski lodge, perhaps). Sometimes it’s pure will that puts my critic in her place. “You’ll have your time when I’m revising,” I tell her. Occasionally she even listens.
    • Hit the road. I love to travel. Not the highly scheduled travel I do for work, but the kind of off-the-beaten-path travel that invites reflection. I find leaving my comfort zone, even for a little while, offers a change of perspective and new ideas. Some of my best concepts have come to me while on a train or driving along an unfamiliar stretch of foreign roadway.
  • Go outside. Leave your cerebral nest, don a jacket and sneakers (or in my case this morning, four layers of long underwear and down alternative), and enjoy Mother Nature. I’m convinced that Inspiration lives in the woods and at the beach, in the snow-covered rocks, under the icy river water, on the rough sand and in the fallen trees. When you need to find her, get out of your head for a while and play, unapologetically. Remember what it’s like to be a kid. You might be surprised—Inspiration just may come to you.

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Wendy Tyson is a writer, lawyer, and former therapist whose background has inspired her mysteries and thrillers. Wendy writes two mystery series, the bestselling Greenhouse Mystery Series and the popular Allison Campbell Mystery Series. Wendy’s short stories have appeared in literary journals, and she has short fiction in two anthologies, Betrayed and the forthcoming The Night of the Flood. Wendy is a member of Sisters in Crime, Penn Writers, and International Thriller Writers, and she’s a contributing editor and columnist for International Thriller Writers’ online magazines, The Big Thrill and The Thrill Begins. Wendy and her family live in Vermont.

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