Nostalgia City Mysteries

Mark S. Bacon

Tag Archives: Raymond Chandler

Is new Marlowe novel too literary?

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“From thirty feet away she looked like a lot of class.  From ten feet away she looked like something made up to be seen from thirty feet away.”

–Raymond Chandler, The High Window

There’ll never be another Raymond Chandler.  Or will there?  Irish novelist John Banville, writing under the name Benjamin Black, has written The Black-Eyed Blonde, a Philip Marlowe detective story.

It’s so authentic, says New York Times reviewer Olen Steinhauer that it “could be passed off as a newly discovered Chandler manuscript found in some dusty La Jolla closet, leaving only linguistic detectives to ferret out the fraud.”  Apparently the book is too authentic as Steinhauer writes that he had hoped for “something fresher.”Black Eyed Blonde

Bob Hoover, writing in the Dallas Morning News, did not agree that the novel sounded like Chandler.  “He’s [Black] too literary, for a start, to create a scene without calling attention to the common techniques of a ‘serious novelist,’ a state Chandler disdained.”

Mark Lawson reviewing The Black Eyed Blonde for The Guardian seems to like the more literary style.  “What Banville, through Black, brings to Chandler is perhaps an enhanced literary sensibility.”  The more literary take doesn’t put him off and he concludes that “the protagonist of The Black-Eyed Blonde is easy to visualise as an older [Humphrey] Bogart.”

THE BLACK-EYED BLONDE

Benjamin Black / 290 pp. / Henry Holt & Company / $27

Hyperlinks:

Marlowe Reviews in:

The Guardian

The Dallas Morning News

The New York Times

Writing advice from mystery authors

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Some years ago (but not as many as you might think) when I was in grad school, I enrolled in a summer seminar, part of the National Writing Project.  One of the other students, who was a high school English teacher, gave me a marvelous little book of quotations.  I’ve treasured it ever since.  It’s one of those few books that’s always on the top of my desk along with a dictionary, AP Stylebook and a few others.

Today I thought I would share some of my favorite bits of writing advice from mystery writers.  You can do a Google or Yahoo search forWriters quote book sml  5061 “writer quotations” and possibly find some of these quotes but not all of them and not in the same place.  My quote book is wonderful.   I turn to it for inspiration, a laugh or both.  See availability notes below.

“My purpose is to entertain myself first and other people secondly.”  John D. MacDonald

“Those big shot writers…could never dig the fact that there are more salted peanuts consumed than caviar.”   Mickey Spillane

“At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.”   Raymond Chandler

“I try to leave out the parts that people skip.”   Elmore Leonard

“The best time for planning a book is when you’re doing the dishes.”                 Agatha Christie

References

The book I have is “The Writer’s Quotation Book; A Literary Companion, Third Edition,” James Charlton, editor.  It’s certainly out of print, but used copies are available in several places online, including Powell’s.   Used copies of the fourth (and presumably last) edition are available at Amazon and Barnes and Noble.

‘As inconspicuous as a privy on the front lawn’ –a sample of Raymond Chandler

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Raymond Chandler, creator of Philip Marlowe, one of the best-known detectives to ever make his way down a dark alley, was born in 1888.  His novels were made into movies and he wrote screenplays for acclaimed motion pictures including “Double Indemnity”–likely the best film of the noir period–and “Strangers on a Train.”

He moved to England with his mother at an early age, attended school there and later studied in Germany and France.  He became a naturalized British citizen and served in World War I.  After the war he was a journalist in London for a time then he moved back to the US, eventually living in southern California where he went to work as a bookkeeper for an oil company.  When he lost his job in 1932 he returned to writing and published his first crime story in 1933 in “The Black Mask,” a pulp journal that also published Cornell Woolrich and other up-and-coming detective writers.

For all his influence and prominence, his output was relatively modest compared to many other crime novelists, this owing to the fact he was in his 50s when he wrote his first novel, “The Big Sleep,” in 1939.   He wrote seven novels–almost all household names to mystery readers–and about two dozen short stories and novellas.

James Bond author Ian Fleming said that Chandler offered, “some of the finest dialogue written in any prose today.”

Recently I read one collection of his long short stories, “Trouble Is My Business.” Here’s a sample of his distinctive prose from that book:

From a description of an over-weight corpse:  “…his neck had as many folds as a concertina.”

A bright yellow convertible stood out from a row of other cars.  It was, “about as inconspicuous as a privy on the front lawn.”

Describing a suspicious character: “His voice had the quiet careful murmur of the cell block and the exercise yard.”Trouble is My Business

A brunette speaks to Marlowe in, “a voice as silky as a burnt crust of toast.”

Later he says, “She was looking at me now as if I had come to wash the windows, but at an inconvenient time.”

One of my favorite Chandler character sketches:  “She just stood and looked at me, a long, lean, hungry brunette, with rouged cheekbones, thick black hair parted in the middle, a mouth made for triple-decker sandwiches….”

And finally this observation from Marlowe, “Clammy hands and the people who own them make me sick.”

Sources/links:

http://www.biography.com/people/raymond-chandler-9244073

http://chandlersite.blogspot.com/

http://home.comcast.net/~mossrobert/

http://en.wikipedia.org/wiki/Raymond_Chandler