Nostalgia City Mysteries

Mark S. Bacon

Dark ride, dark story: the mystery begins

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Here’s a chapter from my latest Nostalgia City mystery, Dark Ride Deception.

Max Maxwell, the CEO of Nostalgia City theme park, is holding an emergency meeting to discuss park secrets for new ride technology that have been stolen. The scientist who created the technology is missing.    

Chapter 7

     Maxwell roamed the conference room. Lyle often thought of him as an energetic, impulsive teenager housed in a short, wiry 75-year-old body. Or was he older? “When did we discover the hack?” Max said looking at Owings.

The senior vice president sounded matter-of-fact: “We went through the logs and access files Friday,” he said. “It’s routine. But after we found discrepancies, we reviewed all our systems over the weekend and we knew something was wrong.”

“Sort of an understatement, isn’t it Kerry?” Maxwell said. “We’ve spent millions on these plans already. Millions. We created programs, engineering studies, simulations, drawings, models. Yup, something is wrong all right.”

Lyle glanced at the woman seated across from him. Somewhere in her early forties, she parted her hair in the middle and it hung ragged on the sides. Jane Fonda in the ’70s? Or maybe something new. She sighed and lowered her head as Maxwell spoke. Was she to blame?

“I contacted the FBI,” Howard said. “Agents who specialize in economic espionage and computer crimes are coming out.”

“That’s fine Howard, but we have other problems too, don’t we? Our patents.”

Max looked at a man in a dark tailored suit and charcoal tie who could either be the park’s chief legal counsel or a mortician. “Usually we file for protection as we go along,” the man said, “and we have done this for some initial elements of the project we’re calling PDE. But there are issues.

“First, artificial intelligence is a complex and evolving element of the law. It’s not like seeking a patent for a new type of can opener. And software is challenging, too. If it’s tied to particular apparatuses or engineering creations, obtaining a patent is not as problematic. But we’re not just seeking a patent for a specific ride, are we?”

“So much for the jargon,” Max said. “Are you saying you couldn’t do it?”

“Of course not, but work on the project slowed for a while, and then it received a top priority. The innovation continued yet the legal department did not receive enough information, things we need to draft patent applications.”

“Max,” Owings said, “as you know, PDE was not finished. We were getting close, but there are a few challenges left and now we’re—”

“So you’re both saying our ass is hanging out. Our secrets are gone, and we don’t even have the ideas patented.” Max’s stare, always penetrating, seemed to bore through Owings and the attorney. Lyle wondered if they might soon be looking for work. Continue Reading →

‘Gun Crazy’ shoots ’em up with style

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Halfway through the 1950 film Gun Crazy, Bart and Annie, dressed in buckskins and cowboy hats and brandishing shiny revolvers, stick up a bank, clobber a lawman, then jump in their car and make tracks out of town.

Peggy Cummins nearly 20 years before Faye Dunaway’s role

In a subsequent scene, actors John Dall and Peggy Cummins are dressed in street clothes, pulling a robbery and trying to make the best of a noir B movie. And they succeed. Backed by direction from Joseph H. Lewis and solid cinematography, the actors lift the film above its station and its average-at-best plot.

In fact this film, unknown outside of hardcore noir fans, is a critics’ choice breakthrough movie. Eddie Muller, TCM’s Noir Alley host and author of a book on Gun Crazy, says the film “is recognized as one of the most dynamic and subversive films of its day.”  Another critic called it an “impeccably crafted film… with a razor-sharp screenplay.”  I wouldn’t go that far. Yet Gun Crazy can draw you in if you watch closely.

Bart Tare (Dall) and Annie Laurie Starr (Cummins) meet when she’s the trick shooting, western-clad star of a carnival show and he’s an ex-GI World War II vet with a history.  During the performance, the show’s manager challenges audience members to try to outshoot the star and win $500. Having grown up fascinated with guns, Bart accepts the challenge.  He walks on stage smiling and eager.  Is it for the chance to shoot or for the beautiful Cummins’ attractions. He exchanges looks with the sultry shooter then outshoots her, earning himself a permanent place on stage with Annie.

As we learn in the film’s first scene, Bart became a crack shot through years of shooting bb guns and larger weapons as a child. His obsession with guns—despite abject fear of hurting anyone or anything—leads him to steal a revolver from a store window.  He’s caught and sent to reform school before joining the service.

Although his shooting prowess puts him on the stage with the six-gun siren, his job is short-lived. The manager who believes he has a hold on Annie becomes jealous when the two sharpshooters start to date, and he fires them.

On the road together Bart suggests marriage and Annie, who he calls Laurie, agrees.  In classic B movie fashion they drive up to a dark clapboard building housing a justice of the peace.  A large sign proclaims, “Desert justice – Get married.” The building also has signs, “Cocktails, bar, café.” And conveniently next door is the Continue Reading →

Mark Bacon’s Kollege of Noir Knowledge

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Noir II – Advanced Investigation MB-302  Cain Building  T-Th 9 a.m.

Answers for Quiz #2

Here are the answers to the second quiz of this course. Okay, these last two questions were tough, but this is the advanced noir class. Remember your instructor has your best interests at heart.

For your next assignment, write a 300-page noir novel and include the line, “I don’t have to show you any sticking badges” or “Release the Kraken.”

Q 1. Who are the top selling mystery writers today?

Short answer: James Patterson and John Grisham.

Longer answer Extra credit: Finding out who were/are the best selling mystery writers via an internet search is a challenge. Nearly every response to a query about best sellers returned lists of “best” authors—in many persons’ opinions—not top selling mystery writers.  I resorted to Wikipedia’s list of best selling authors, regardless of genre, and picked out the mystery/crime writers.

Agatha Christie, no matter how many billion of her books have been sold, is the undisputed champ. More books by Christie have been sold than anyone in history except Shakespeare. The French detective writer Georges Simenon is certain to be number two, beyond that it’s guesswork. What follows is the Wikipedia listing with the range of books likely sold.

Agatha Christie  2-4 billion

Georges Simenon, author of the French Inspector Maigret series, 500-700 million

Earl Stanley Gardener 100 – 325 million

James Patterson  150-275 million (the magazine Mental Floss says Patterson has sold 300 million books.)

John Grisham  100-250 million

Carter Brown 100-120 million

Mickey Spillane 100-200 million

Q 2.  Where did mystery writer Sue Grafton get the name for her fictional community?

Answer  Grafton’s make-believe community, Santa Teresa, bears the same name as the town that Ross Macdonalds’ detective, Lew Archer, haunts.  She used the name as a salute to Macdonald.

Q 3. Where is the town?

Answer  The town is generally thought to be patterned after Santa Barbara, Calif.

Question 4.   Who wrote, “The butler did it”? Continue Reading →