Nostalgia City Mysteries

Mark S. Bacon

Category Archives: flash fiction

Today’s flash fiction mystery story

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As always, today’s mystery story contains exactly 100 words.

 New Neighbors

When Vincent pulled into his driveway one evening he wanted to celebrate.  Once terrified, he’d miraculously managed to get rid of his CPA firm’s evasive, suspicious clients. He felt sociable again. Glancing up, he noticed curtains swaying in the vacant house across the street. New neighbors must have moved in. He ought to invite them over.

As Vincent walked around a hedge in front of the neighbors’ house, the curtains were open just slightly. Inside he saw a camera with a telephoto lens on a tripod.

The door opened.

“Mr. Novak? I’m Hendricks with the FBI. We need to talk.”

Today’s flash fiction mystery

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With apologies to Lawrence Block for taking the title of his crime series, here is today’s flash fiction mystery–at exactly 100 words.

Hit Man

“This lawyer my wife used to know–name’s Murphy–said you might be able to help.  I really don’t want to, but I’ve got no choice. My wife says she hates me for what I did. Won’t forgive me. Says she’ll kill me. But she won’t give me a damn divorce. I dunno why I’m telling you this. See, this is my only way out. So, can you do a contract or tell me who can?”

“What’d you say the name was?”

“Hemings, Julia Hemings.”

“I mean your name.”

“George Hemings, why?”

“Oh, I have a contract. Thanks for coming.”

Faulkner’s fresh look at flash fiction

Everyone has his or her idea of what constitutes flash fiction.  I’ve noted this before.  Defining flash fiction by word length seems the easy way to do it.  Problem is, few editors and writers can agree on the various labels to attach to say, 100-word stories, 1,000-word stories or even 25-word stories.

Flash fiction, however, is more than numbers and no one has explained that better than Grant Faulkner, editor of “100 word story,” in a recent New York Times op-ed piece.   Talking about his introduction to the miniature genre, Faulker says, “Most of my writing life has been a training ground of ‘more,’ so I rarely conceived of less.”  But when a friend of his suggested he try a 100-story, he was at first exasperated.  “At best, I could chisel a story down to 150 words,” he writes, “but I was frustrated by the gobs of material I left out.”

This frustration led Faulkner to examine his writing habits and eventually he discovered “a different kind of storytelling.”  The balance of his article beautifully describes flash fiction in qualitative and rather than quantitative terms and, perhaps without intending to, makes the case that flash should be an integral part of a comprehensive literary education.

“Flash allows literature to be a part of our everyday life,” he writes, “even if we are strange multitasking creatures addled by a world that demands more, more, more.”

The New York Times used Faulkner’s article as the basis for a language arts lesson plan on flash fiction, part of its Learning Network.  The lesson plan references a relatively recent book edited by Robert Swartwood, “Hint Fiction: An Anthology of Stories in 25 Words or Fewer.”  In his introduction, Swartwood establishes a hierarchy of story length: sudden fiction, flash fiction, micro fiction, drabble and dribble, the latter being 50 words.   Obviously, his final category is hint fiction of 25 words.

“Hint fiction,” he says, “should not be complete by it having a beginning, middle and end.  Instead it should be complete by standing by itself as its own little world.”

Twenty five words seems a bit too short for a story.  But not too short for a hint of one?

 

Hyperlinks:

Going long.  Going Short. by Grant Faulkner

Flash fiction lesson plan

Hint Fiction edited by Robert Swartwood