Nostalgia City Mysteries

Mark S. Bacon

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Christie, Conan Doyle and 38 more     cook up crime and puzzlement

Masterpieces of Mystery and Suspense
Compiled by Martin H. Greenberg
International Collectors Library
651 pages
1988
See below for prices and availability

 

It’s the late 1950s, Ginger works in a dime-a-dance joint in a rundown part of town, and someone is killing taxi dancers.

When two police detectives show up at the dance hall one night, Ginger falls for the taller one.  “…if I’d had any dreams left, he coulda moved right into them.”

The cops only know the killer’s favorite song, the kind of ring he has on one finger and the bizarre way he leaves the dancers’ bodies.  With nothing more to go on, they try a stake out.   Luckily, Ginger is one sharp cookie and a step ahead of the police.  Question is, will she be a step ahead of the serial killer?

This carefully crafted tale, The Dancing Detective, is classic noir by Cornell Woolrich and it’s one of 40 short stories in Masterpieces of Mystery and Suspense, a must for the library of every mystery and short story lover.  The stories are short–10-20 pages–and not quite short enough to qualify as flash fiction.   But they clearly demonstrate how a skilled mystery/suspense writer can weave a tale, create characters with depth and have you guessing right up to the end–all in a tiny package.masterpieces of mystery

Woolrich’s story is a good example, combing rich characters and dialog with a snappy plot.   Aspiring mystery writers: read this story.  See how Woolrich creates a thick, gloomy atmosphere and tells us so much about his characters through the way they talk in addition to what they talk about.  Woolrich, like many of the authors in the anthology, were or are known as much for novels as well as short stories.  And again, like other authors, many of Woolrich’s stories became movies.  One of his most famous was Hitchcock’s 1954 Rear Window.

I discovered this collection of gems in a used book store.   It can be found easily online.  See the note at the end of this review.

Writers from Poe to Sue Grafton and Lawrence Block are represented here.  Stories of suspense, mystery and those featuring hard boiled detectives fill the pages.  The collection’s anthologist, Martin Greenberg, introduces each story with a brief biographical sketch of the author and a few words about the selection.

The usual suspects are all here: Dorothy Sayers, Earl Stanley Gardner, Agatha Christie, Ngaio Marsh, P.D. James, Ross Macdonald, Ellery Queen, Dick Francis and John Dickson Carr.  A few writers not known for mysteries also provide fascinating stories.  Greenberg included Mark Twain, Ray Bradbury and Stephen King in the collection.

King’s Quitters, Inc. has Dick Morrison run into an old friend in an airport lounge, back when you could smoke in an airport.  The friend has quit the habit for good, he tells Morrison, with the help of an organization that guarantees its results.  In this suspenseful story, the method is the mystery and Morrison’s trials trying to stay off cigarettes can be most appreciated by ex-smokers.

In Arthur Conan Doyle’s The Copper Beeches, Holmes and Watson are approached by a  governess who lives in a country house and works for an eccentric gentleman.  She becomes fearful when her employers ask her to pose for them in certain ways.

Frederick Forsyth’s contribution is, There Are No Snakes In Ireland, a creepy tale of revenge set in Ireland and India.

Rex Stout offers, Help Wanted, Male.  One of the longest entries in the collection, the story begins with a man who has received an anonymous letter saying he is about to die.  He goes to Nero Wolfe for help.  Archie Goodwin figures the man would need to look elsewhere:

“In the years I had been living in Nero Wolfe’s house…I had heard him tell at least fifty scared people, of all conditions and ages, that if someone had determined to kill them and was going to be stubborn about it, he would probably succeed.”

The next day, of course, the man is killed and the police want to know what Wolfe and Goodwin know about it.

If you’re looking for a collection of new crime and detection stories, obviously this isn’t it.  The book is 25 years old and many of the stories are decades older than that.  If, however, you want to be challenged and entertained by some of the best mystery and suspense writers who ever pounded a typewriter, this is the collection for you, if you can find it.

Note on availability:  The book is out of print, but used copies are available from many online sellers.   I purchased my hardbound copy (International Collectors Library edition, listed above) from our local library’s  used book store.   A check of listings for the book at Amazon and other online stores yielded the names of three other publishers and page lengths.  Most common was an edition from St. Martin’s Press at 672 pages.  Minotaur and Doubleday are also listed as the publisher on some sites.   Most available copies are paperback going for $1 or less; shipping charges vary.

Ebooks and book prices – changes        to come, but what and when?

In the weeks since the announcement of patents by Apple and Amazon for systems to sell “used” ebooks, online writers weighed in decrying the development or criticizing the predictors of gloom.

Writing in Magellan Media, Brian O’Leary takes exception to comments by authors who said writers’ incomes would plummet as ebook prices nosed down.  He asserts that ebooks would become more valuable–and higher priced–if buyers knew they could resell them and recoup some of the original sales price.   He also says that like their paper cousins, individual ebooks would not last forever.  As operating systems and ereader software change, various forms of ebooks could become obsolete and not a bargain on the used marketplace.

Suzie Welker, writing in the Orangeberry Book Tours website, says of a used ebook market: “expect it to happen sometime.”

According to Welker, lower priced ebooks–as a result of a used ebook market, I presume–could, for two reasons, have the effect of reducing sales of stolen ebooks on pirate sites.   First, many people would be willing to pay a reasonable price to avoid dealing with shady book sellers and second, she reminds us that if your Kindle or Nook dies or is stolen, your legal ebooks, unlike the pirated versions, are recoverable.

The topic of used ebooks aside, Leslie Kaufman, writing in the New York Times, discusses how some big literary agencies are offering their own “self-publishing” ebook options for writers.   According to the story, author and playwright David Mamet is using a self-publishing option from his literary agency, ICM Literary Partners as a way to gain more control over his book’s marketing.

Kaufman’s article, which describes book publishing today as “digital disruption,”  explains the rationale behind agents’ decision to get into self-publishing.   It also provides a summary of different forms of  self-publishing available to authors today and explains present royalty structures, of interest to readers (in addition to writers) in order to see where book publishing is going.

What do authors have to gain by paying an agent to “self-publish” for them?   Robert Gottlieb, chairman of the Trident Media Group, told the Times that authors benefit from his agency’s experience in marketing and jacket design and his firm can give clients access to plum placement on book sellers’ websites.

What does all this mean for readers, book buyers? Ultimately you will dictate the success of all forms of ebooks as you browse Amazon or Barnes and Noble deciding which title to download.  Prices may be lower, one influence on buying decisions.  Well-known author names also figure in.  But quality?  In this expanding, digitally disrupted business be sure to read samples first.

 

Notes / hyperlinks

Ebooks could become more valuable says O’Leary

Suzie Welker says a used marketplace will happen

A look at self-publishing today

Psst.  Wanna buy a used ebook?

New digital marketplace could upend publishing, threaten authors

First in a series

Amazon and Apple have applied for patents on systems that will permit them to create marketplaces for the sale of used, or perhaps more accurately previously owned, ebooks and music.  Amazon’s patent was approved in late January, Apple’s is pending.  This could snuff creativity and bring an end to the publishing industry.

Or not.

Authors and others have issued dismal predictions based on reasonable assumptions about how a “used” ebook market might work.

Best-selling author Scott Turow, president of the Author’s Guild, told the New York Times,  “The resale of ebooks would send the price of new books crashing.”

Author and essayist Ayelet Waldman told Jenny Shank, at PBS.org, that the idea of used ebook sales gave her “a chill of foreboding.”

Here’s the issue:  If a bargain-basement priced preowned ebook, identical in every respect to the new ebook, is on sale simultaneously with the original, who would buy the more expensive product?  (Hint: no one except the author’s mother.)  This may sound like a boon for buyers, but it could be the epitaph for writers of flash fiction books and all other forms of written expression as well.

Of course, as a writer friend of mine pointed out, someone would have to buy an original for there to be a  “used” ebook.  How that notion equates to numbers of “new” ebooks that would be sold remains to be seen, as does a long list of possibilities that depend on the way a used ebook marketplace is administered.

In addition to myriad possibilities for a future resale marketplace, are the larger, darker issues of contemporary ethics, the future of copyright laws plus the influence of evolving technology on the latter two subjects.  This article, however, will be limited to looking at some of the ways a used ebook marketplace might operate.ereaders 2 sml

When you buy an ebook today for your iPad, Kindle, Nook or whatever, you’re really just obtaining a license to read it yourself, period.  The book exists in your ereader or in the cloud, but it’s not really your property.  When someone buys an ebook from most legitimate online sellers, the publisher and ultimately the author receives compensation (such as it is).  The proposed ebook systems would permit buyers to resell an ebook, just as they might resell a paper book to a used book store or via eBay or Craigslist.   When a used paper book is sold, the transaction is strictly between buyer and seller.  If ebook resale transactions are conducted similarly, writers and publishers would be out of luck.   And obviously,  the sale of new ebooks would be seriously compromised.

Apple and Amazon are mum on the details of the proposed marketplace systems–or whether they will be implemented at all–but news reports about the patents in the New York Times and elsewhere provide a little information about how ebook sales might be handled.  Both systems, according to David Streitfeld, writing in the Times, would limit resellers to one transaction per book.  That is, someone could not duplicate a book or otherwise sell it more than once.  Once a book was sold, it would disappear from the seller’s ereader account.

This restriction would probably not allay Turow’s fear of crashing prices.  How low would the price of books sink if a used marketplace sprang up?  Hard to predict as this hasn’t happened in the book market before.  But consider one analogy: prescription drugs.  According to the U.S. Solicitor General, Donald Verrilli, quoted in an Associated Press report Mar.25, when a generic drug begins to compete with a brand-name drug, “the price drops 85 percent.”

One element in the Apple and Amazon patents could limit the damage.  Tech writer and author David Pogue reported in the New York Times that publishers and bookstores could,  according to the patents, impose minimum prices for used ebooks, although those prices could be reduced over time.

Jeremy Greenfield, writing in Forbes, offers a possible used ebook sale scenario which would see publishers and authors compensated, online bookstores getting a piece of the action and buyers getting cut-priced ebooks.  (One new online company, Redigi, says it will compensate publishers for “used” ebook sales.)  Greenfield’s glimpse  into the future assumes a used ebook would go for 50% of the retail price.  But if prices drop lower–much lower–what would be left to compensate the people who created the work?

One New York Times reader, commenting on a story about the sale of used ebooks, wrote that he has stopped creating language CDs due to piracy.  His lengthy comment makes fascinating reading.  It took him years to write a Chinese language course, he says, and pirate copies can now be obtained online for next to nothing.  What does this say about the effects of a future cut-rate ebook market?  Certainly Amazon and Apple are not Pirate Bay (a popular site offering hijacked digital property), but would writers stop writing if the price of ebooks (and royalties) drops to pennies?   Could publishers impose strict limitations on resales or simply refuse to deal with online bookstores that offer “used” ebooks?

The subject is, at present, mired in questions.

——–

Next time: The Redigi formula, authors and the brave new book world

 

Further questions

Will Amazon and Apple return a portion of the proceeds from the sale of used ebooks back to the publishers as Redigi says it will do?   Will the publishers then give authors a cut?

If Amazon, et. al. sell ebooks for lower prices overall, would profits decline or would a lively resale market actually be a boost for Amazon?

Would people be inclined to buy more ebooks if they knew they could resell them?

What conditions will publishers require in the new, used marketplace?

How do you set the price of a used ebook?  Is there a comparison with the cost of a used paper book in excellent condition?

Will people choose to keep ebook libraries like many people maintain for their paper books?  If so, will that reduce the number of used ebooks available for resale?

 

Reminder on my use of Hyperlinks:   Hyperlinks can be annoying.   A few months back I wrote about  how reading on the Internet is contributing to our shorter attention spans and generally making dunderheads out of us.  Hyperlinks are a convenient way to find out more information about a topic, discover a new resource, etc., and of course they are an element of SEO, important to bloggers.  But hyperlinks in the middle of articles invite the reader to abandon his train of thought–weak though it may be–to virtually dash off in another direction, possibly never to return.  Therefore in this blog, all hyperlinks appear at the end of articles.  You are invited to visit the sites and sources I cite.

Publishers can impose minimum prices for used ebooks

Authors express trepidation

Overview of proposed used ebook systems

One price scenario for used ebooks

Writer to stop writing