By Michael Niemann
It’s admittedly an odd choice for a thriller, but let me explain.
The Wiener Riesenrad, or Viennese giant wheel, was designed and built in 1897 by British engineers to commemorate the golden anniversary of emperor Franz Josef. And it is indeed of giant proportions, 212 feet tall. However, it wasn’t the tallest in the world. The original Ferris wheel, designed by George Washington Gale Ferris, Jr. in 1893 for the Chicago World Columbian Exhibition, was 264 feet tall. Other giant wheels built in London and Paris around the same time were also taller. But after a couple of decades, those other Ferris wheels had all been taken down.
By 1920, the Wiener Riesenrad was the tallest wheel in the world. It held that position until 1985 when the 289 foot Technostar wheel was opened in Japan. Currently, the tallest wheel is the High Roller in Las Vegas which stands 550 tall more than twice the height of the Riesenrad.
No Ferris wheel has played a bigger a role in popular culture than the Wiener Riesenrad. It featured in three spy thriller films, The Third Man, Scorpio, The Living Daylights, and one romance, Before Sunrise. It also made an appearance in several novels.
The wheel’s feature role in spy thrillers is not an accident. The Third Man takes place just a few years after World War II when Austria and Vienna were still divided into four sectors, occupied by Britain, France, the Soviet Union and the U.S. Obviously there was plenty of spying going on then.
The agreement that ended the occupation stipulated that Austria had to remain neutral henceforth. No wonder that during the Cold War, Vienna became a hub of clandestine meetings, shady dealings and generally a playground for spies from all over the world. That has not changed.
Austria’s neutrality also made Vienna a perfect location to host one of the United Nations headquarters. And that brings me back to my book. My protagonist, Valentin Vermeulen, works for the UN and a case of fraud brings him to Vienna. Once I had him there, I remembered The Third Man and watched the movie again. The scene featuring Orson Welles and Joseph Cotton is one of the most gripping scenes in the movie. Continue Reading →