Nostalgia City Mysteries

Mark S. Bacon

Dark ride, dark story: the mystery begins

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Here’s a chapter from my latest Nostalgia City mystery, Dark Ride Deception.

Max Maxwell, the CEO of Nostalgia City theme park, is holding an emergency meeting to discuss park secrets for new ride technology that have been stolen. The scientist who created the technology is missing.    

Chapter 7

     Maxwell roamed the conference room. Lyle often thought of him as an energetic, impulsive teenager housed in a short, wiry 75-year-old body. Or was he older? “When did we discover the hack?” Max said looking at Owings.

The senior vice president sounded matter-of-fact: “We went through the logs and access files Friday,” he said. “It’s routine. But after we found discrepancies, we reviewed all our systems over the weekend and we knew something was wrong.”

“Sort of an understatement, isn’t it Kerry?” Maxwell said. “We’ve spent millions on these plans already. Millions. We created programs, engineering studies, simulations, drawings, models. Yup, something is wrong all right.”

Lyle glanced at the woman seated across from him. Somewhere in her early forties, she parted her hair in the middle and it hung ragged on the sides. Jane Fonda in the ’70s? Or maybe something new. She sighed and lowered her head as Maxwell spoke. Was she to blame?

“I contacted the FBI,” Howard said. “Agents who specialize in economic espionage and computer crimes are coming out.”

“That’s fine Howard, but we have other problems too, don’t we? Our patents.”

Max looked at a man in a dark tailored suit and charcoal tie who could either be the park’s chief legal counsel or a mortician. “Usually we file for protection as we go along,” the man said, “and we have done this for some initial elements of the project we’re calling PDE. But there are issues.

“First, artificial intelligence is a complex and evolving element of the law. It’s not like seeking a patent for a new type of can opener. And software is challenging, too. If it’s tied to particular apparatuses or engineering creations, obtaining a patent is not as problematic. But we’re not just seeking a patent for a specific ride, are we?”

“So much for the jargon,” Max said. “Are you saying you couldn’t do it?”

“Of course not, but work on the project slowed for a while, and then it received a top priority. The innovation continued yet the legal department did not receive enough information, things we need to draft patent applications.”

“Max,” Owings said, “as you know, PDE was not finished. We were getting close, but there are a few challenges left and now we’re—”

“So you’re both saying our ass is hanging out. Our secrets are gone, and we don’t even have the ideas patented.” Max’s stare, always penetrating, seemed to bore through Owings and the attorney. Lyle wondered if they might soon be looking for work. Continue Reading →

‘Gun Crazy’ shoots ’em up with style

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Halfway through the 1950 film Gun Crazy, Bart and Annie, dressed in buckskins and cowboy hats and brandishing shiny revolvers, stick up a bank, clobber a lawman, then jump in their car and make tracks out of town.

Peggy Cummins nearly 20 years before Faye Dunaway’s role

In a subsequent scene, actors John Dall and Peggy Cummins are dressed in street clothes, pulling a robbery and trying to make the best of a noir B movie. And they succeed. Backed by direction from Joseph H. Lewis and solid cinematography, the actors lift the film above its station and its average-at-best plot.

In fact this film, unknown outside of hardcore noir fans, is a critics’ choice breakthrough movie. Eddie Muller, TCM’s Noir Alley host and author of a book on Gun Crazy, says the film “is recognized as one of the most dynamic and subversive films of its day.”  Another critic called it an “impeccably crafted film… with a razor-sharp screenplay.”  I wouldn’t go that far. Yet Gun Crazy can draw you in if you watch closely.

Bart Tare (Dall) and Annie Laurie Starr (Cummins) meet when she’s the trick shooting, western-clad star of a carnival show and he’s an ex-GI World War II vet with a history.  During the performance, the show’s manager challenges audience members to try to outshoot the star and win $500. Having grown up fascinated with guns, Bart accepts the challenge.  He walks on stage smiling and eager.  Is it for the chance to shoot or for the beautiful Cummins’ attractions. He exchanges looks with the sultry shooter then outshoots her, earning himself a permanent place on stage with Annie.

As we learn in the film’s first scene, Bart became a crack shot through years of shooting bb guns and larger weapons as a child. His obsession with guns—despite abject fear of hurting anyone or anything—leads him to steal a revolver from a store window.  He’s caught and sent to reform school before joining the service.

Although his shooting prowess puts him on the stage with the six-gun siren, his job is short-lived. The manager who believes he has a hold on Annie becomes jealous when the two sharpshooters start to date, and he fires them.

On the road together Bart suggests marriage and Annie, who he calls Laurie, agrees.  In classic B movie fashion they drive up to a dark clapboard building housing a justice of the peace.  A large sign proclaims, “Desert justice – Get married.” The building also has signs, “Cocktails, bar, café.” And conveniently next door is the Continue Reading →

Mark Bacon’s Kollege of Noir Knowledge

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Noir II – Advanced Investigation MB-302  Cain Building  T-Th 9 a.m.

Answers for Quiz #2

Here are the answers to the second quiz of this course. Okay, these last two questions were tough, but this is the advanced noir class. Remember your instructor has your best interests at heart.

For your next assignment, write a 300-page noir novel and include the line, “I don’t have to show you any sticking badges” or “Release the Kraken.”

Q 1. Who are the top selling mystery writers today?

Short answer: James Patterson and John Grisham.

Longer answer Extra credit: Finding out who were/are the best selling mystery writers via an internet search is a challenge. Nearly every response to a query about best sellers returned lists of “best” authors—in many persons’ opinions—not top selling mystery writers.  I resorted to Wikipedia’s list of best selling authors, regardless of genre, and picked out the mystery/crime writers.

Agatha Christie, no matter how many billion of her books have been sold, is the undisputed champ. More books by Christie have been sold than anyone in history except Shakespeare. The French detective writer Georges Simenon is certain to be number two, beyond that it’s guesswork. What follows is the Wikipedia listing with the range of books likely sold.

Agatha Christie  2-4 billion

Georges Simenon, author of the French Inspector Maigret series, 500-700 million

Earl Stanley Gardener 100 – 325 million

James Patterson  150-275 million (the magazine Mental Floss says Patterson has sold 300 million books.)

John Grisham  100-250 million

Carter Brown 100-120 million

Mickey Spillane 100-200 million

Q 2.  Where did mystery writer Sue Grafton get the name for her fictional community?

Answer  Grafton’s make-believe community, Santa Teresa, bears the same name as the town that Ross Macdonalds’ detective, Lew Archer, haunts.  She used the name as a salute to Macdonald.

Q 3. Where is the town?

Answer  The town is generally thought to be patterned after Santa Barbara, Calif.

Question 4.   Who wrote, “The butler did it”? Continue Reading →

Mark Bacon’s Kollege of Mystery Knowledge -Quiz 2

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Noir II – Advanced Investigation MB-302  Cain Building  T-Th 9 a.m.

Now that the semester is underway, it’s time for another test of your noir knowledge.

Quiz #2

  1. Who are the top selling mystery writers today? Extra credit: name the five top selling mystery writers of all time.
  1. Sue Grafton was one of the best know detective writers and one of the most prolific. Her stories about private eye Kinsey Milhone takes place in the fictional California costal town of Santa Teresa. Where did Grafton get the name for her fictional city?
  1. What actual town does Santa Teresa seem to mirror?
  1. One of the most well-known lines from a mystery novel is, “The butler did it.” Who is credited with writing that line?

Continue Reading →

Mark Bacon’s Kollege of Mystery Knowledge* Questions with Answers

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Noir II – Advanced Investigation MB-302  Cain Building  T-Th 9 a.m.

Answers for Quiz #1

Here are the answers for your first quiz. I hope you did well. Please don’t turn in your papers until you have completed the second quiz—to be administered soon.

Remember the Kollege of Mystery Knowledge operates on the honor system, proving there is honor among thieves.  

Q 1 Name the actors who have played Philip Marlowe in film. 

A. If you named Humphrey Bogart, Robert Mitchum, Dick Powell, Robert Montgomery and James Garner give yourself full credit. That’s far from a complete list, but it’s all a devout Raymond Chandler fan needs to know.

Dick Powell, one of the lesser-known Marlowes in film.

Wikipedia says 18 actors have portrayed Marlowe, including Philip Carey who was the detective in a short-lived 1959 TV series.  IMDB lists 17 Marlowes. It says the first Marlowe of the silver screen was James Kirkwood in the1934 not-really-a-classic Hired Wife. Neat trick because Chandler’s first published Marlowe novel was in 1939.  Maybe Kirkwood was a different Philip Marlowe.

Check out the lists of other Marlowes here:
https://www.imdb.com/list/ls066052539/
https://en.wikipedia.org/wiki/Philip_Marlowe

Extra credit on this question if you also said Elliot Gould once played a version of Marlowe.

Q 2 Who wrote the first modern mystery story? Clue: it was published 182 years ago.

A. Modern murder mysteries got started in 1841 with the publication of a murder mystery in Graham’s Magazine in Philadelphia. The Murders in the Rue Morgue was written by Edgar Allen Poe.  Like some mysteries that would follow, the story is narrated by the detective’s sidekick. The mystery introduces Paris Detective Monsieur C. Auguste Dupin who used his “analytical power” to solve a series of gruesome murders in Paris.

Q 3 Where did the idea for the TV show Columbo come from? Continue Reading →

Mark S. Bacon’s College of Mystery Knowledge*

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Noir II – Advanced Investigation MB-302  Cain Building  T-Th 9 a.m.

Students,

Welcome to Investigation 302. Here we’ll be studying the works of the masters, such as Hammett, Chandler, Gardner and others.  I know it’s unconventional to begin with a quiz, but even though you’re all mystery majors, and this is an upper division course, I need to discover your understanding of the subject before we can advance.

Answers to these questions will appear in the next installment of this course. Please complete your answers before you read the next online installment here.  And remember, we’re on the honor system at Bacon’s College so you may grade yourself.

Quiz #1

  1. Name the actors who have played Philip Marlowe in movies.
  1. Who wrote the first modern mystery story? Clue: it was published 182 years ago.
  1. Where did the idea for the TV show Columbo come from?
  1. True or false: The movie based on the book, The Maltese Falcon, starred Bette Davis, Bebe Daniels and Warren William.
  1. What was the name of Ross Macdonald’s PI, and how did he come up with the name?
  1. Who was the author of more than 20 noir novels and wrote the short story Rear Window that became a James Steward movie?

 

 *Apologies to the late Kay Kyser

 

 

Will a change of face brighten the dark passage?

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Book Review

Dark Passage (1946)
David Goodis
Library of America 2012
247 pages
Kindle, Apple Books  $5.99

Vincent Parry’s wife was an ungrateful, unloving bitch.  But he didn’t kill her.

A jury said he did, and the judge gave him life in San Quentin.

This seemed like it would be the last chapter in Parry’s unremarkable life. An only child and orphan in central Arizona he stole food when he was hungry and found himself in a reformatory being punched in the face by a guard. During World War II his draft board labeled him 4-F due to sinus and kidney problems. The 145-lb, five-foot-seven-inch Parry found work as a clerk in a San Francisco securities investment house, a position he took because it would permit him to smoke at work.  He earned $35 a week and smoked three packs a day.

Early in their marriage, at her insistence, Parry bought his wife Gert a ring with a flame opal, her favorite stone.  She told him it was flawed, that he paid too much and she threw it at his face.  Less than a year and a half after they were married, she started seeing other men.

One day he came home to find police cars parked in front of his apartment building.  Gert had been murdered, her skull smashed by a heavy glass ashtray.  A witness told police the wife’s dying words were that Parry had killed her.

Parry’s attorney asserted that Mrs. Gert Parry simply tripped and hit her head, but no one was buying it.

Dark Passage is a story of lonely, sad, miserable people. The book envelopes the reader in an atmosphere as cheery as a rainy night in a graveyard.

In San Quentin Parry worried about the guards, remembering his experience in the reformatory. But he thought this might be different.

He had an idea that he might be able to extract some ounce of happiness out of prison life. He had always wanted happiness, the simple and ordinary kind. He had never wanted trouble.

Eventually,  however,  he again met up with a brutal guard.  During the ensuing pummeling, Parry sobbed, a reaction that would revisit him more than once in the coming weeks.

When he was placed in solitary confinement temporarily, and permanently removed from his prison accounting job, he decided to escape.

He made it, and once outside the prison grounds a young woman in a new Pontiac convertible offered him a ride, telling him she heard of his escape on the radio and came to help him.  “You’ll stay at my place,” she tells him.

Vincent Parry’s life was about to turn around. And around.

Once safe in the expensively furnished San Francisco apartment Parry learns his blonde savior’s name, Irene Janney. 

The way her lips were set told him she didn’t get much out of life.  One thing, she had money. That grey-violet [her clothes] was money. The Pontiac was money.

She tells him she attended his trial and that Madge Rapf, the woman who found Gert’s body and heard her dying words, is an acquaintance of hers.

Parry knows Rapf, a friend of his wife’s who visited them frequently. Too frequently.

She was miserable and the only thing that eased her misery was to see other people miserable. If they weren’t miserable she pestered them until they became miserable.   Parry had a feeling that one of the happiest moments in Madge Rapf’s life was when the foreman stood up and said that he was guilty.

Parry’s fate begins to look promising when Janney buys him new clothes and gives him $1,000 in cash for the road.

He leaves her, hales a cab and is identified as a fugitive by the driver. But instead of turning him in, the driver tells Parry about a doctor friend of his, a plastic surgeon, who could give him a new face—no questions asked. Continue Reading →

Temptress Claire has lots to offer, but not to poor Quimby

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Movie review

Pharmacist Warren Quimby (Richard Basehart), night manager of a 24-hour Los Angeles drugstore, is a fool.

In an early scene in 1949’s Tension his wife Claire (Audrey Totter) is introduced by  sultry music as she’s eating dinner at the soda counter in Quimby’s drugstore.  Dressed in a slinky blouse, she takes an indifferent glance at her husband as he approaches tentatively, and she mumbles as she bites into a hamburger.

When he goes back to work on the other side of the store, Claire’s boyfriend shows up.  In an undisguised lie, she tells the counter clerk she’s going back to the Quimby’s apartment above the store.  Then she slips off her wedding ring and follows her suitor outside to his car.

Richard Basehart: resentful or scheming?

Quimby’s blindness to his wife’s blatant infidelities, coupled with his puppy-dog devotion—even after she deserts him for a boyfriend—is the film’s plot foundation.  You know this is more than a domestic drama however; because, in addition to its suggestive and suspenseful musical score and noirish nighttime settings, the movie is introduced and narrated by a homicide detective, Lieutenant Collier Bonnabel played by Barry Sullivan.

Basehart’s character is so innocent and trusting you want to root for him, but he’s so foolish you just want to smack him.  He’s stuck on his wife even after he tracks her down to a love nest in Malibu, vainly begs her to come home and gets beat up by her boyfriend, Barney Deager (Lloyd Gough).

When the film played in a 1998 San Francisco festival, SF Chronicle movie reviewer Walter Addiego wrote that Quimby was a “prize-winning sap.” 

Does he ever wise up?

Yes, but slowly.

While Claire continues her suggestive shenanigans at the beach, Quimby concocts a complex plan creating a new name and a layered second identity for himself. It’s unclear if he still wants Claire back, but his main goal is revenge and his phony identity will somehow be his cover.

In his new name he rents a Westwood, Calif. apartment—in addition to his flat over the pharmacy.  He meets an attractive Westwood neighbor, Mary Chanler (Cyd Charisse). Chanler is attracted to Quimby, who tells her he sells cosmetics and is on the road on weekdays, home on weekends. The two go out together, but Quimby tries not to return her affections.  He’s working on his revenge. Continue Reading →

A shy dragon, disabilities and f**king vulgarity

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June 26 is National Disability Independence Day

I have written several times in this space about swearing in murder mystery novels. In fact, if you do a Google search for profanity in mystery novels my blog posts are among the first references you’ll see.

What got me started on the subject, as I explained in one of my previous posts, was curiosity about my own use of profanity. After my first Nostalgia City mystery was published I got to wondering how many four-letter words I used and how that compared to other writers’ work.

I discovered, of course, that the use of profanity varies greatly in the genre, from no cussing whatsoever in many cozies to an abundance of f***ing vulgarity in the grittier forms of murder mysteries.

Unfortunately this necessitates further explanation before I can get to the reason I want to talk about bad words in the first place. Above I used asterisks rather than spelling out the obvious word. It’s my journalistic background that cemented the AP stylebook into my vocabulary. Many news outlets today—although there seem to be fewer and fewer—do not use four letter words and substitute asterisks. The older I get the less I care about maintaining this illusion of superiority. And certainly I use crude words—sparingly—in my novels. Lots of people swear these days and I believe I need to use “those words” to be realistic.

So this brings me to a funking problem. You read that correctly. Continue Reading →

Is this really film noir?

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Movie review: Kiss Me Deadly

The other day a friend of mine told me noir novels and movies, the dark dramas and private eye tales from the 1930s through 1950s, were generally played for laughs.

Like any in other genre, some noir stories are humorous–unintentionally.

But certainly the likes of Raymond Chandler and James M. Cain were not writing comedy.  Some noir novels and movies, however, were not without a humorous take on the genre. Kiss Me Deadly comes to mind.

Some years ago I discovered this film and posted a review. Here’s a revised version of that commentary that’s expressly for noir fans who’d like to lighten up, not for those who see this as typical of the genre.

When you read the plot synopsis and cast list, Kiss me Deadly, adapted from a novel by Mickey Spillane, sounds like a run-of-the-mill detective movie: A private eye finds a lost girl along on a road at night. This film, however, is a bit more complex. Continue Reading →