A thug the size of an NFL lineman grabs Sam Shamus around the neck and throws him down the stairs. The bad guy follows him, stomps on his face and tells him he’s a low-life private dick and if he ever shows up again he’ll get a real beating.
Somehow Sam manages to get to his feet. He glares at the crook and says, “Pardon me sir, but I object to the way you’re characterizing my profession. And I ask that you refrain from inflicting further physical indignities, you hooligan.”
That’s what Sam says, anyway. Your average detective-novel hero might use different words.
Sam’s situation—or a version of it—went through my mind when I started writing mystery short stories and later, my first mystery novel. Should I use profanity? My initial answer: no. We’re slammed with the f-word so often in crime movies that profanity loses its punch. But the more I wrote, and the more I thought about it, studiously avoiding profanity seemed unrealistic. What the hell was I to do?
Profanity in literature, a fascinating topic—particularly in the mystery/suspense/thriller genre—varies from author to author. But before we get into that, a few words about four-letter words. While I eventually decided in favor of what’s delicately called swear words in my fiction, I’m still a journalist when I’m writing articles online. My inner AP Stylebook doesn’t permit me to use words you won’t find in your daily paper. Therefore I’m going to resort to f*** and s*** for two words everyone knows. Bear with me.
Not long ago, someone writing on an Amazon discussion page asked about bad language. She wrote: “I am Continue Reading →
novels ever written by an American,” according to William Goldman in The New York Times Book Review.
Nostalgia City Mysteries 